Édouard Delmont

A young woman from the countryside travels to Paris to become an actress. Despite all kinds of difficulties, affronts and emotional adventures, she succeeded in gaining a place in the world of entertainment and becomes a great movie star.

In the Camargue a local young playboy named Frédéri falls in love with a young woman from Arles. His family thinks she is unsuitable as a wife because she had a fling with a soldier. His entourage attempt to cheer him up but he intends to commit suicide.

Leaping forward twenty years, the trilogy continues with the death of Fanny's husband, Panisse, and the discovery of her secret by her son, Césariot. The young man resolves to track down his biological father, Marius, whose life has been fraught with calamity and poverty.

A lord’s servant, Ali Baba, is sent to retrieve a slave for his master, but ends up on an adventure filled with gold, mischief, love, and forty famous thieves instead.

The guardian is engaged to a girl from a good family, but the intervention of a gypsy will make his heart lean. This one comes in fact to take revenge and will try to kill him.

Down a foggy, desolate road to the port city of Le Havre travels Jean, an army deserter looking for another chance to make good on life. Fate, however, has a different plan for him, as acts of both revenge and kindness render him front-page news.

The early days of the French Revolution, as seen through the eyes of the ordinary citizens in Marseille and the royal court, including King Louis XVI and Marie Antoinette.

Auguste, a somewhat simple-minded Provençal fisherman, loves and admires Mireille. This concerns only Maurice, son of an important wholesaler, whom scruples do not stifle. Seduced and abandoned, Mireille moves Auguste who tries to mend his poor happiness. The local priest, with wise words, leads Mireille to offer her hand to Auguste.

A publicity-minded French mayor reunites quintuplets and their earthy father, all six played by Fernandel.

Energetic priest Don Camillo returns to the town of Brescello for more political and personal duels with Communist mayor Peppone.

A simpleton turns out to be the lucky charm of a village.

A very ill little girl having expressed the wish to live until Christmas, the whole neighborhood agrees to anticipate the celebration.

Hercule, a young peasant, inherits a Parisian newspaper with a large circulation. The editor-in-chief, Vasco, takes advantage of his ignorance to make corruption prevail. But Hercules gradually realizes the role that we make him play.

Soon after Marius's departure, Fanny learns that she is pregnant with his child, to the disappointment of her mother and of Marius's father, César. To secure a better life for her unborn child, she accepts a marriage proposal from the aging widower Honoré Panisse.

César runs a bar along Marseilles' port, assisted by his 23-year-old son, Marius. Friends since childhood, Fanny and Marius love each other, but Marius has a secret wanderlust: every ship's whistle stirs a longing for foreign lands. When M. Panisse seeks Fanny's hand in marriage and when a departing clipper needs a deckhand, Marius and Fanny must decide who and what they love most. César, with his generous, wise spirit, tries to guide his son.

In the 1920s, the Provence is a magnet for immigrants seeking work in the quarries or in the agriculture. Many mingle with locals and settle down for good — like Toni, an Italian who has moved in with Marie, a Frenchwoman. Even a well-ordered existence is not immune from boredom, friendship, romance, or enmity, and Toni becomes entangled in a web of increasingly passionate relationships. For there is his best pal Fernand, but also Albert, his overbearing foreman; there is Sebastian, a steady Spanish peasant, but also Gabi, his young rogue relative; there is Marie, but there is also Josefa.

Outwardly, Monsieur Victor would appear to be the model citizen. A respectable Toulon shopkeeper, he has a devoted wife and is courteous and considerate to all who know him. However, beneath this veneer of respectability hides a notorious receiver of stolen goods, who trades with hardened criminals. Victor manages to keep up his double life without any difficulty until the fateful day when one of his partners in crime threatens to expose him. Fearing a scandal, Victor kills the crook in a moment of panic, using a shoemaker's tool. Naturally, the murder is blamed on a local shoemaker, who is sentenced to ten years' hard labour. Seven years later, the former shoemaker reappears in Toulon, having escaped from prison. The first person to recognise him is Monsieur Victor...

A bungling thief is threatened by one target with blackmail, unless the thief will kill his own cousin, a wealthy eccentric who is considered the village idiot.

In this little Provencal village, a new baker, Aimable, settles down. His wife Aurelie is beautiful and much younger than he. She departs with a shepherd the night after Aimable produces his first breads. Aimable is so afflicted that he can not work anymore. Therefore, the villagers, who initially laughed at his cuckoldry, take the matter very seriously (they want the bread) and organize a plan to find Aurelie and to bring her back to the bakery.

Fleeing Paris where he killed, Olivier takes refuge in the Giraud farm and falls in love with his daughter, to the chagrin of her suitor, a man named Joseph. When the latter is found dead, Olivier is accused and the young woman will arrive too late to clear him, the poor man having fallen into a ravine while trying to flee.

Renée Ménard, a young mixed-race Indochinese, arrives in France to find her French father, whom she only knows is called Paul Ménard. In the hope of identifying her father, she meets a series of men with that name.

Marcel Pagnol's adaptation of his own novel Manon des sources, the story of a shepherdess who exacts her revenge on the townsfolk she blames for killing her father, in two parts: Manon des sources and Ugolin.

An opera singer is stricken with amnesia and, on the evening of a premiere (in his stage costume which is that of a tramp), he goes to wander with real tramps.

Jofroi sells his orchard to Alphonse. Alphonse wants to use the land for crops, so he starts to cut down the trees. Jofroi is furious: how can someone cut down those trees? He threatens to commit suicide so that the small town will blame Alphonse and Alphonse’s life will be miserable. Alphonse, the curate, the teacher, and some of the townsfolk spend the rest of the movie trying to keep Jofroi from committing suicide…