Mauri Sumén

The Leningrad Cowboys, a group of Siberian musicians, and their manager, travel to America seeking fame and fortune. As they cross the country, trying to get to a wedding in Mexico, they are followed by the village idiot, who wishes to join the band.

After years of fame and misfortune in Mexico, the members of the Leningrad Cowboys decide to return to their native village. Their former manager Vladimir, who now calls himself Moses lead them on their way home.

A father who was absent for 30 years of his son's life returns and wants to set on a journey through Finland, so they can learn to know each other again.

Middle-aged Maire's husband spends most of his time abroad on business. Alone in their large house, Maire fills her empty life by absorbing other people's tragedies from tabloid newspapers. Obsessed by the story about a young single mother whose husband was killed and the killer got away with it, she befriends the young widow who would rather forget the whole event and go on with her life.

One man's quest for revenge in a post-apocalyptic world

Two Finnish men agree to drive an Estonian woman and a Russian woman to a harbor.

A journalist from Berlin, Germany, and a Swedish lawyer discover the truth behind the sinking of the "MS Estonia" in 1994, where more than 850 people drowned.

Eco-terrorists attack a ship carrying toxic waste.

10 years after Total Balalaika Show (1994) Leningrad Cowboys and Red Army Chorus return to the Senate Square with UMO and various international performers.

Juhani Haavisto returns to his childhood home from the seas and is confronted by his wheelchair-bound, demented father Eino and the traumas of sexual abuse and violence he experienced as a child.

After his wife leaves him, a man becomes obsessed getting his family back together by buying an old house.

Antti "Zombie" Autiomaa does two things well: play the bass guitar and drink. After several months' sleeping on the streets of Istanbul, he returns to Helsinki where he's called into the army but discharged on mental health grounds after adding turpentine to the officers' soup. Zombie lives bleary-eyed in an apartment off his parents' house where his lonely, unemployed father suffers from heart disease. His girl-friend Marjo has taken up with a hairdresser but comes back to Zombie. His friend Harri hires him as a roadie for his band "Harry and the Mulefukkers" then gives him a chance as a bass player. He has his girl and he has a gig, but can Zombie put the bottle down?

This documentary revolves around the work of the priests of the Kallio parish in Helsinki.

Epic tale about two generations of men in a wealthy Finnish family, spanning from the 1960s all the way through the early 1990s. The father has achieved his position as director of the family business through marrying the heiress. Their eldest son Dani, hoped to succeed his father, succumbs to drugs while pursuing a career in rock music. Younger Riku grows up under the shadow of his more talented big brother and slowly drifts into the late 1980s, noticing then how many of his friends have managed to take advantage of the economic upswing.

Tomi finds himself in love with two women and his wife Maria finds herself in a situation where she has to deal with the fact that Tomi is the love of her life.

Anna Kelanen is an ex-model, who just has been released from prison. She thinks back on her life, when she was a rather successful model, and on the things that went wrong.

Esa is a small time crook who has been precisely released from prison. He starts to make money by mugging people. One day psychiatrist Lindström rings Esa's doorbell. He has a very strange request: he wants Esa to maltreat him. Esa accepts this request, but he is not aware of Lindström's bad intentions.

A movie inspired by a true crime - the coldblooded Heino double murder, committed by a group of teenagers - that shocked Finland in 2001.

Tiina decides to reconnect with his aged and bohemian father living alone. With her reluctant daughter and new husband, they move in and start to renovate the old house. However, neither the renovation nor facing the past is effortless.