Solange

Nate Johnson, a Los Angeles man estranged from his wife and three children, decides to reconnect with his family by taking them with him on a road trip to Missouri for a big family reunion.

A transfer student at a rough high school tries joining the cheer-leading squad and finds that she not only has to face off against the head cheerleader, but also against her former school in preparation for a cheer-off competition.

In this self-documented piece, Solange offers a diaristic, devotional, inward gaze, presenting the film as a moving liturgy of praise expressed through reverence for self, God, and the exalted mother Yemaya, emphasizing our profound connection to water and its vital role in existence.

In the three years since her seminal album "A Seat at the Table", Solange has broadened her artistic reach, expanding her work to museum installations, unconventional live performances, and striking videos. With her fourth album, "When I Get Home", the singer continues to push her vision forward with an exploration of roots and their lifelong influence. In Solange's case, that's the culturally rich Houston of her childhood. Some will know these references - candy paint, the late legend DJ Screw - via the city's mid-aughts hip-hop explosion, but through Solange's lens, these same touchstones are elevated to high art.

In this short film starring Grady “Shady the Great” Thomas, Solange seeks to illustrate Black domesticity and collections, and the evanescent emotion that immortalises the physical objects we own, captured in the tape of its own medium.

flashback to black excellence at the Elbphilharmonie / Reflections on Witness (2019) - Solange Knowles Ephilharmonie, Hamburg, Germany

Afroprojection #1: The Atmosphere Phased at 120° and Went Blank When The Universe Collapsed, a proposal on parallel dimensions and black psychiatry... ‘live’ from the Merciful Allah Black Hole Theatre

A sportscaster becomes a full-time dad when his ex-wife decides to accept a job out of the country and his teenage daughter, Breanna, moves in with him.

Follow the adventures and misadventures of Penny, a 14-year-old African American girl who's doing her best to navigate through the early years of teen-dom. Penny's every encounter inevitably spirals into bigger than life situations filled with hi-jinks, hilarity and heart. Her quest to balance her home, school and social lives are further complicated by friends like the sassy Dijonay, Penny's nemesis LaCienega Boulevardez, her loving, if not over-protective parents and her hip-to-the-groove-granny, Suga Mama.

The Brothers García is an American sitcom that premiered in 2000 on Nickelodeon and ended in 2004. It was among the first projects of Sí TV, an effort to produce programming featuring Latino characters, however being aimed at a diverse audience. The series was billed as the first English-language sitcom to have an all Latino cast and creative team. The series aired on the programming block Nick on CBS from September 18, 2004 to September 17, 2005, where the series ended its initial run. Reruns on The N started on April 7, 2008, and ended in May 23, 2008. Similarities to the series could be made to the style of The Wonder Years and Everybody Hates Chris, with an older version of the main character narrating each episode in a witty and sarcastic manner.

Chronicles the life of a sassy 15-year-old Latina caught between two worlds: the traditional world of her Puerto Rican family and the modern world of her friends and life at the Manhattan School of the Arts.

Listen Up! is an American situation comedy that aired on CBS from September 20, 2004 until April 25, 2005. The sitcom was based loosely on the life and exploits of the popular sportswriter and sports-media personality Tony Kornheiser. Its principal executive producer was Jason Alexander, who was also the lead actor. Despite decent-to-good ratings, the show was canceled by CBS on May 18, 2005; "rising production costs" was the major reason officially given for the cancellation.