Juan Pablo Di Bitonto

After her mother’s death, Magali returns to her native town in the argentine north. The threatening presence of a puma that eats animals and appears in dreams unsettles the town. Magali’s approaches her son, together they will fulfill the family duty on which depends their own prosperity

A filmmaker and a Guarani Indian travel from La Paz to Bolivia’s swamps, exploring Guarani culture, ancient knowledge, and identity.

Paloma and Amaru have an almost perfect relationship – until Søren appears and turns everything upside down.

The beautiful wife of a geologist frantically searches for her missing husband and is haunted by a man who bears a striking resemblance to him.

According to data collected in colonial chronicles from the 15th and 17th centuries, several American Indian peoples consider gender to be non-binary, male or female; on the contrary, diversity was the rule in Panama: the Guna people identified the Omeggids as belonging to a third gender, which leads to something beyond sexual orientation or eroticism. Nandin, Yineth, Rosario and Débora are some of the members of the Wigudun Galu group, whose name refers to an Omeggid entity from Guna mythology. They define themselves as a separate group, and their demands are specific to that group. They seek visibility, and their fight is arduous, as they are indigenous, they are trans and they are Omeggids. Broken down inside and outside your community.

The lives of Alma (Araceli Gonzalez) and Leo (Pablo Echarri) did not seem destined to cross. She, a baker in the mouth, with her ​​family and her boyfriend Mario since adolescence. The, an architect with secure wedding date with Valeria. One night, fate brought them together and this unexpected encounter will not go unnoticed. Both Alma and Leo not be fidgety to what happens between them.

Two men from completely different backgrounds confront a gang of swindlers. Norberto Lorenzi and Guillermo Parodi are the two "jokers" who meet and relate with the usual initial distrust. Lorenzo is impelled by the necessity to clear the name of Pérez, his best friend. Parodi, on the other hand, has been called to disperse a ring of "narcos"...

On the outskirts of the Pampean town of Eduardo Castex there is a park where about 30 cement and iron works represent different aspects of the prehistoric life of dinosaurs. Its author is Jorge “Cacho” Fortunsky, who besides having an innate talent for drawing, carving and sculpting, has a past marked by crime that he tries to leave behind forever.

Alejo has decided to leave his previous life behind. He gets a job as a window cleaner in an important building in downtown Buenos Aires. He prefers to go through the most complicated moment of his life in the city heights, immersed in an alien world that forces him to go through unexpected experiences. Vertigo, loneliness, workplace harassment, helplessness and abandonment will turn him into a lonely and paranoid man hanging by a thread that is too fragile.

Emma (16) and her father (48) live in a small house at the river on Delta del Tigre, Buenos Aires. Emma is rehearsing a Shakespeare play at school and she dreams to visit London. One day the unexpected happen, her teacher gets an exchange scholarship for her to travel to England. The idea of ​​being apart destroy Marcos and Emma who will have to understand another possible way of loving.

Baraja feels like a useless and tired survivor. Political and social disappointment, long reclusive hours and dejection bring an omnipresent violence in a man that doesn't believe in anything or anyone anymore and fights as much against everybody as he does against himself.

The film tells how in 1970 a group of Argentine filmmakers - including Alberto Fischerman, Rafael Filippelli, Julio Ludueña, Miguel Bejo, Jorge Cedrón, Dody Scheuer and Luis Zanger - decided to make a short film each in one night. The occasion is perfect to describe the atmosphere of the '70s, the fever in which militants and publicists lived, the clash between art and politics. Includes fragments of the films The Players vs. Ángeles Caídos (Fischerman, 1969), Shadows (John Cassavetes, 1959), Made in U.S.A. (Jean-Luc Godard, 1966), L'eclisse (Michelangelo Antonioni, 1962), The Hour of the Furnaces (Pino Solanas & Octavio Getino, 1968), Tire dié (Fernando Birri, 1960), Alianza para el progreso (Ludueña, 1971), La civilización está haciendo masa y no deja oír (Ludueña, 1974) and La pieza de Franz (Fischerman, 1974).

Desire, adolescence, and the first time can be as unique as it is surprising and very different.