Esther Gronenborn

Anyone can hold a mini-DV camera. Anyone can get 99 euros in credit. And everyone has already written a five-minute story in school. So everyone is actually prepared to make a 99euro-film. but "99euro-films" is more. It is the proof that German films can also be wild, new, modern, funny, political and entertaining. And all that in 80 minutes. 12 young German filmmakers come together, inspire exciting young actors and go: have an idea and simply film it. Just do it and be independent.

A female teenager witnesses a murder in a desolate high density housing area on the outskirts of Berlin and is henceforth in danger.

Timo is in his late 20s, a former Bundesliga soccer player and has fallen from grace. He has been known as the "disgrace of Altona" ever since he botched a penalty kick in a cup match. After countless escapades, his professional career is over. He now earns his living as a bouncer in a bar. But his family situation is much worse than his professional downfall: his ex-wife Nicki is now living with Robert, his ex-manager. He only sees their three children Tom, Luis and baby Lilly three days a week.

Happily married to Thomas, her daughter just off to college, Katja teaches math and music at the local elementary school. Her life seems perfect. Until a chance encounter turns her world upside down. The very weekend her family is away, she meets Daniel, an attractive, inquisitive fellow, backpacking through Germany. A travel journalist, just passing through, he camps out on her lawn. They connect. She finds his independent, freewheeling lifestyle fascinating. He tells her of his journeys. He makes her feel alive, reawakens her youthful hopes and dreams. Now old regrets come rushing back. After three exciting days, she is faced with the decision: does she go with him, or does she stay in her own, safe little world?

TV post-war drama about a gruesome chapter of the Nazi era. Nadja Uhl reveals "wild" euthanasia in psychiatry. Oldenburg, 1948: For Margaret Oelkers (Uhl) and her two little sons, the pension is not enough as a war-wittwe behind and in front. But the authorities are working hard, not even because of their lack of credentials on the employment of their killed in the war. After an energetic appearance at the office, she is briefly put into the psychiatry of the Wehnen nursing home as a trainee. The consequences are bitter: one attests to their schizophrenia, takes away the children and brings them to the sister in the country. For a year, Margarete was kept in the hospital against her will, and forced to do so with electric shocks. After her release, she was placed under the guardianship of her neighbor Erich Windhorst (Martin Wuttke), a man with an SS past...

Three actors - Lizzy, Marlon, and Ohboy - navigate city life between rehearsals, nightlife, and alienation. Marlon, new to town, struggles with his role and babysitting. Lizzy chases fame yet finds only transactional glamour in a club. Ohboy, adept yet trapped, drifts comically through urban traps. Linked by rehearsals for “City as Prey,” three episodes chronicle loneliness, friendship, and survival.