Charles Bukowski

Downtrodden writer Henry and distressed goddess Wanda aren't exactly husband and wife: they're wedded to their bar stools. But, they like each other's company—and Barfly captures their giddy, gin-soaked attempts to make a go of life on the skids.

Poet/lecturer Charles Serking awakens from his alcoholic haze long enough to take a bus back to L.A. and plunge into an orgy of drink and sexual depravity.

This drama centers on Hank Chinaski, the fictional alter-ego of "Factotum" author Charles Bukowski, who wanders around Los Angeles, CA trying to live off jobs which don't interfere with his primary interest, which is writing. Along the way, he fends off the distractions offered by women, drinking and gambling.

Simon and Dede are best friends: two aimless drunks who spend their days getting sloshed and any other available time getting laid. Simon is living on unemployment benefits in a trailer parked near his sister's apartment. Dede works at a fish-packing plant on the night shift. Neither man is sensitive, young, or good looking. However, their sang-froid (literally, "cold blood," referring to a quality of imperturbability) stands them in good stead as they go about their seedy lives, picking up one woman and having sex with her on the beach, or when Simon calmly has sex with a prostitute in front of the woman's brother. In the past, a bizarre necrophiliac situation led to Simon experiencing his only sense of what it might be to truly love someone.

Three 'Bukowskian' torrid nights in the life of a man, Harry, in search of love. The first is as a youth, the second on the day of his high school graduation, and the third as a lonely, middle-aged man.

A César award winning short drama based around Charles Bukowski's two stories "Copulating Mermaid of Venice" and "Trouble with the Battery"

The world is in the grip of surveillance cameras. Youngsters are at a protest, their motto being "Say No to Cameras." Yet there is a paradox: these very youngsters, despite their fervent opposition, cannot bring themselves to reject the cameras.

The reclusive writer Henry returns from his travels and finds a pile of letters on his doorstep. Without a salutation or signature, the poems written on used train tickets remind him of his current literary impotence. Henry opens envelope after envelope and reads, reading between the lines, gradually allowing the foreign words to touch his soul. After a while, his imagination awakens, and he may even start writing again himself. But who are these mysterious letters from?