Directing

Peter Geyer

No biography available.

Known For

Jesus Christ SaviourJesus Christ Saviour · 2008
Jesus Christ Saviour
6.92008
MovieDocumentary
Klaus Kinski has perhaps the most ferocious reputation of all screen actors: his volatility was documented to electrifying effect in Werner Herzog’s 1999 portrait My Best Fiend. This documentary provides further fascinating insight into the talent and the tantrums of the great man. Beset by hecklers, Kinski tries to deliver an epic monologue about the life of Christ (with whom he perhaps identifies a little too closely). The performance becomes a stand-off, as Kinski fights for control of the crowd and alters the words to bait his tormentors. Indispensable for Kinski fans, and a riveting introduction for newcomers, this is a unique document, which Variety called ‘a time capsule of societal ideals and personal demons.’
Loriot's Great Cartoon RevueLoriot's Great Cartoon Revue · 2023
Loriot's Great Cartoon Revue
6.52023
MovieAnimationComedy
Loriot, whose real name was Bernhard-Viktor Christoph-Carl von Bülow, or Vicco von Bülow for short (1923-2011), is considered to have been the greatest and most versatile German comedian of the twentieth century. From 1976 to 1978, Radio Bremen commissioned his six-part television series “Loriot”, in which live action skits alternated with short animated sketches. The series is believed to be the highpoint of Loriot’s television work and was to establish his cult status; it has long been an integral part of German cultural heritage.

Filmography

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Jesus Christ SaviourJesus Christ Saviour · 2008
Jesus Christ Saviour
6.92008
MovieDocumentary
Klaus Kinski has perhaps the most ferocious reputation of all screen actors: his volatility was documented to electrifying effect in Werner Herzog’s 1999 portrait My Best Fiend. This documentary provides further fascinating insight into the talent and the tantrums of the great man. Beset by hecklers, Kinski tries to deliver an epic monologue about the life of Christ (with whom he perhaps identifies a little too closely). The performance becomes a stand-off, as Kinski fights for control of the crowd and alters the words to bait his tormentors. Indispensable for Kinski fans, and a riveting introduction for newcomers, this is a unique document, which Variety called ‘a time capsule of societal ideals and personal demons.’

Director