Johann Wolfgang von Goethe

Murnau’s epic adaptation of Goethe’s tragedy stands with Fritz Lang’s Metropolis among the supreme achievements of German silent cinema. Gösta Ekman plays the alchemist who, his faith shaken in a time of plague, is offered the gift of healing and eternal youth… in exchange for his soul.

Six days in the life of Wilhelm: a detached man without qualities. He wants to write, so his mother gives him a ticket to Bonn, telling him to live. On the train he meets an older man, an athlete in the 1936 Olympics, and his mute teen companion, Mignon. She's an acrobat in market squares for spare change.

A doctor in early 19th-century Germany becomes infatuated with the sister of a man he unintentionally killed and bargains with the Devil incarnate to conjure their union in exchange for his soul.

Charming, passionate, totally irresponsible young novelist Werther is sent to the city on an errand by his mother. By chance, he meets lovely Charlotte, whose allure and commitment to her impressive, stable fiancé Albert will turn Werther’s life upside down. Werther and Charlotte embark on an emotional affair, while Werther and Albert start an awkward friendship. The more entwined this trio becomes, the harder it is to navigate the complexities of lust, affinity, and love.

Second part of Goethe's Tragedy

A very free adaptation of Marlowe's "Doctor Faustus", Goethe's "Faust" and various other treatments of the old legend of the man who sold his soul to the devil. A nondescript man is lured by a strange map into a sinister puppet theatre, where he finds himself immersed in an indescribably weird version of the play, blending live actors, clay animation and giant puppets.

After an architect (Fabrizio Bentivoglio) is invited to the home of his associate, the harmony of the place comes undone with the visitor's attraction to someone.

Unabridged production of Goethe's Faust Ⅰ by Peter Stein's Faust Project.

Radiant mezzo-soprano Susan Graham and dashing Italian tenor Marcello Giordani are unlucky lovers in La Damnation de Faust, Hector Berlioz’s classic take on dancing with the devil.

In 1957 Gustaf Gründgens staged a new production of Goethe's Faust in which he once again played Mephisto, a part he had played since 1932. The brilliant production was a huge success and ran for a couple of years. In 1959 Peter Gorski captured the performance on film in his directorial film debut. Basically it is a registration of the production, but Gorksi did manage to accentuate the details of the acting by using enough medium and close-up shots which give a view on the acting you normally would not able to see in a theater.

In the kingdom of animals, Master Fox is used to trick and fool everyone. So the King, the Lion, receives more and more complaints about him. He orders that Master Fox is arrested and brought to him.

Star tenor Jonas Kaufmann brings aching intensity and vocal charisma to the tortured title hero of Massenet’s Goethe adaptation. Sophie Koch, in her Met debut, is an appealing and elegant Charlotte, the object of Werther’s passionate affection that will lead to tragedy. Lisette Oropesa as Sophie, David Bižić as Albert, and Jonathan Summers as Le Bailli co-star. Richard Eyre’s atmospheric production is conducted by rising maestro Alain Altinoglu.

The young and rebellious Werther is passionately, but hopelessly, in love with Lotte. Although he knows that she is married to somebody who can offer her a secure future, Werther tries to be near her. Lotte cannot decide between these two men. She eventually rejects Werther, who does not survive her decision.

Faust, an old, bright but desperate man, struggles with the sense of his life. After trying all kinds of sciences he enters into a contract with the devil, Mephistopheles, to feel life, joy and desire again. Mephistopheles promises him to get full satisfaction by enjoying and celebrating all the worldly pleasures: outstanding parties, being young again, the love of a woman. To fulfill the pact, Faust offers him his soul after his death. Their journey begins and leaves many people in total despair...

David McVicar's spectacular production of Charles Gounod’s Faust, featuring a divine cast of opera’s superstars: Roberto Alagna, Angela Gheorghiu, Bryn Terfel, Simon Keenlyside and Sophie Koch – recorded at the Royal Opera House, Covent Garden on 19 June 2004.

This adaptation of Goethe's The Sorrows of Young Werther offers a chilly and remote view of love and its passions. The setting is changed to Spain, and Werther (Eusebio Poncela) has taken a job tutoring the son of an estranged husband and wife. The boy's mother is a surgeon and therefore a rather uncommon woman for her society. She and Werther gradually become romantically involved, and his feelings for her begin to run much deeper than is apparent on the surface.

In an epic tale of good versus evil, Faust sells his soul to the Devil and tries to save Marguerite from an eternity in Hell.

Charts the emotional journey of a young man who falls in love with Lotte, engaged to another man. As he realizes that his passion is doomed to failure and constant pain, Werther contemplates taking the most drastic measures.

A young man races to save his son's life, but death – incarnated in the child's imagination as the titular Erl King – calls unceasingly.

During the time of the Peasants' Wars, the free knight Götz von Berlichingen gets into all kinds of private and political entanglements when he defends the Bishop of Bamberg. He is declared an enemy of the empire and ostracized as a robber. Insurgent peasants, of whom he becomes the leader, also betray him by attacking a town against the condition that no violence be used.

Tenor Jonas Kaufmann is riveting as the title character of Gounod’s popular opera, seen in this Live in HD presentation of Des McAnuff’s thrilling 2011 production that places the mythical and timeless story in an early 20th-century setting. René Pape as Méphistophélès is menacing and elegant in equal measure, and Marina Poplavskaya delivers a searingly intense portrayal of the innocent Marguerite. Russell Braun as her brother, Valentin, shines in his Act II aria. On the podium, Yannick Nézet-Séguin brings out all the lyricism and drama of Gounod’s score.

Prodigal scientist and technology entrepreneur, Dr Faust, seeks to emulate Gods ability to create life. He sells his soul to the devil in order to realise his greatest ambition - to create the world's first super-human.

The various parts of Faust are played by puppets.

Theatre 625 is a British television drama anthology series, produced by the BBC and transmitted on BBC2 from 1964 to 1968. It was one of the first regular programmes in the line-up of the channel, and the title referred to its production and transmission being in the higher-definition 625-line format, which only BBC2 used at the time.

Les Cent Livres des Hommes (ORTF, 1969-1973) was a series of literary programs created by Claude Santelli and Françoise Verny, and produced notably by Santelli, Jean Archimbaud, and Serge Moati. Planned for one hundred episodes but completed at thirty-nine, the series aimed to introduce great literary works, 'chefs-d’œuvre', to a younger audience through a mix of dramatization, reading, and documentary techniques. It marked a transfer of cultural legitimacy from writers and critics to a generation of television producers, offering a new model of educational and creative literary broadcasting - 'télévision d’auteur'.

Three zany puppets bring to life our greatest opera treasures, as Joan Sutherland, the world’s most famous soprano, performs their highlights. The puppets make up the audience: Sir William, a wise old goat; Little Billy, his nephew; and Rudi, a rather boisterous lion. Sutherland first introduces them to the story of each opera. Then, backed by the London Symphony Orchestra and a first-rate cast, she moves onto the opera stage, complete with elaborate sets and elegant costumes. After each exquisite aria, the diva comes back to her inquisitive friends and unfolds the plot.