Richard Beymer

Acting

Richard Beymer

Born February 20, 1938 · Avoca, Iowa, USA (age 88)

George Richard Beymer, Jr. (born February 20, 1938) is an American actor known for playing Tony in the 1961 film version of West Side Story and Ben Horne on the 1990 television series Twin Peaks. Description above from the Wikipedia article Richard Beymer, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Known For

The Longest DayThe Longest Day · 1962
The Longest Day
7.61962
MovieWarAction
The retelling of June 6, 1944, from the perspectives of the Germans, US, British, Canadians, and the Free French. Marshall Erwin Rommel, touring the defenses being established as part of the Reich's Atlantic Wall, notes to his officers that when the Allied invasion comes they must be stopped on the beach. "For the Allies as well as the Germans, it will be the longest day"
West Side StoryWest Side Story · 1961
West Side Story
7.21961
MovieCrimeDrama
In Manhattan’s Upper West Side, rival gangs of Polish-Americans and newly arrived Puerto Ricans clash for control of the neighborhood, even as two young members from opposite sides fall dangerously in love.
My Girl 2My Girl 2 · 1994
My Girl 2
6.11994
MovieComedyFamily
Vada Sultenfuss has a holiday coming up, and an assignment: to do an essay on someone she admires and has never met. She decides she wants to do an assignment on her mother, but quickly realises she knows very little about her. She manages to get her father to agree to let her go to LA to stay with her Uncle Phil and do some research on her mother.
Twin PeaksTwin Peaks · 1989
Twin Peaks
8.51989
MovieMysteryDrama
An idiosyncratic FBI agent investigates the murder of a young woman in the even more idiosyncratic town of Twin Peaks. (This standalone version of the series pilot was produced for the European VHS market and has an alternate, closed ending.)
The Diary of Anne FrankThe Diary of Anne Frank · 1959
The Diary of Anne Frank
7.21959
MovieDramaHistory
The true, harrowing story of a young Jewish girl who, with her family and their friends, is forced into hiding in an attic in Nazi-occupied Amsterdam.
Fourteen HoursFourteen Hours · 1951
Fourteen Hours
7.31951
MovieDramaThriller
A young man, morally destroyed by his parents not loving him and by the fear of being not capable to make his girlfriend happy, rises on the ledge of a building with the intention of committing suicide. A policeman makes every effort to argue him out of it.
FoxfireFoxfire · 1996
Foxfire
6.01996
MovieActionDrama
The story of five teenage girls who form an unlikely bond after beating up a teacher who has sexually harassed them. They build a solid friendship but their wild ways begin to get out of control.
HowardHoward · 2018
Howard
6.82018
MovieDocumentaryMusic
Though legendary lyricist Howard Ashman died far too young, his impact on Broadway, movies, and the culture at large were incalculable. Told entirely through rare archival footage and interviews with Ashman’s family, friends, associates, and longtime partner Bill Lauch, Howard is an intimate tribute to a once-in-a-generation talent and a rousing celebration of musical storytelling itself.

Filmography

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Cavalcade of AmericaCavalcade of America · 1952
Cavalcade of America
4.61952
SeriesDrama
Cavalcade of America is an anthology drama series that was sponsored by the DuPont Company, although it occasionally presented a musical, such as an adaptation of Show Boat, and condensed biographies of popular composers. It was initially broadcast on radio from 1935 to 1953, and later on television from 1952 to 1957. Originally on CBS, the series pioneered the use of anthology drama for company audio advertising. Cavalcade of America documented historical events using stories of individual courage, initiative and achievement, often with feel-good dramatizations of the human spirit's triumph against all odds. This was consistent with DuPont's overall conservative philosophy and legacy as an American company dating back to 1802. The company's motto, "Maker of better things for better living through chemistry," was read at the beginning of each program, and the dramas emphasized humanitarian progress, particularly improvements in the lives of women, often through technological innovation.