Denise Vindevogel

Just before twilight, a small plane lands on the runway of a country airport. One passenger disembarks: Joe, the last survivor of a Jewish family, the Falsches. He has an appointment with them all tonight, forty years after leaving Berlin for New York in 1938. The Falsches are all waiting for him in the arrival lounge: those who perished in the concentration camps; those who left with Joe in 1938; and those who returned to Berlin after the war. Lilli, a young German woman, is there too; she is the daughter of a Nazi official, who was the love of Joe's youth, and who died during the bombing of Berlin. For Joe, it is a night of encounters, of celebrations beyond life and death.

Aging opera singer Joachim Dallayrac retires from the stage and retreats to the countryside to school two young singers. Although the rigorous training takes its toll on both teacher and students, there is plenty of time for relationships to develop between the three.

Cheated on and fired from her job, Lucille leaves her suburb and moves to Paris with little hope of finding anything better. Shortly after arriving, she saves a desperate man from drowning. Pierre is also cheated on, but in terms of work, he is better off than Lucille: co-president of a large company, he lives in a luxurious apartment overlooking the Seine. To thank his benefactor, he offers her a place to stay for the night... This situation suits Lucille just fine, and she decides to stick around. Pierre is not at all pleased, as he finds the young woman to be a disaster, with manners that are too "common" for his taste, and who never misses an opportunity to put her foot in her mouth... The beginning of a turbulent and conflictual relationship. Will love conquer social differences?

This is a film which was made in Belgium in the early '60s and was never released. However, it somehow got included in the American Oscar category for "Best Foreign Film," and was finally released in its home country in 1971. It explores the issues of prejudice and superstition in the Belgian countryside through the troubles of a middle-aged farmer whose mother has been accused of being a witch. In French, this picture is based on a true story which took place in the late 1920s and early '30s.

A sensitive, 14 year old orphan in a military school learns about life and love from his classmates and teachers.

Once upon a time a carnivorous advertising methodist (Richard Bohringer) finds himself stuck between floors in an old elevator. The owner of the deserted building (Ute Lemper) does not help, but plays with him like a prey trapped. To get out, he threatens, attempts to seduce, to deceive, to be honest. After this confrontation for several days...

Three years after the wedding husband Richard starts to set up his wife, the teacher Marion, with his love and jealousy. He wants to have a baby too. Her best friend and the head of the school only see the nice husband. Antoine, the fiend's brother, is the only one believing her. Everyone else starts to believe that Marion is getting insane is about to become a mental case. Marion moves out, but it's not over. Richards terrorizes her and even starts to get violent. Her only solution is to move to Antoine but that doesn't make it only worse ...

Pregnant girl in trouble teams up with a young boy to find the mother of the boy.

John Hurt stars as a scandal-hit member of parliament, dispatched to the political backwaters of the European Commission in Brussels as penance for his failures. However, once there he stumbles upon a chemical weapons outrage that points to a sinister political-industrial conspiracy.

The documentary's legacy lies in its unapologetic fusion of agitprop and satire, a signature style of De Hert’s Fugitive Cinema collective. By juxtaposing Mandel’s economic theories with absurd military parades, the film exposes the contradictions of a society preparing for war while its social fabric decays. De Hert employs rapid montage, pop music, and street-level interviews to strip away the facade of state authority.Decades later, Le Filet Américain remains a vital historical document. It captures a specific era of Belgian polarization, marked by economic crises and the rise of the gendarmerie. The metaphor of the meat grinder endures as a powerful critique of how institutional systems compromise individual dignity for corporate profit.

Three no-budget semi-professional filmmakers finally get their due in this witty but respectful documentary. Director Frederic Sojcher visits three fellow Belgian auteurs whose ambitions outstrip their budgets, or their recognition. Max Naveaux is a projectionist who decided to take a stab at making movies himself, putting together small-scale war films whose realism was heightened by the fact that the Belgian Ministry of Defense gave him permission to use real bullets for one of his movies. Schoolteacher Jacques Hardy has dabbled in creating film noir, costume horror, and comic-book adventures, most starring his friend Christian Vranken, who makes his living as a church caretaker and insists on casting approval for his female co-stars. And Jean-Jacques Rousseau is a self-styled surrealist whose commitment to obscurity is great enough that he insists on being interviewed while wearing a ski mask.

Africa in the sixties. The Nile perch, a ravenous predator, is introduced into Lake Victoria as a scientific experiment, causing the extinction of many native species. Its meat is exported everywhere in exchange for weapons, creating a globalized evil alliance on the lake shores. An infernal nightmare in the real world that wipes out Darwin's Theory of Evolution.

In a French seaside town, at a boarding house for civil servants recovering from surgery and maladies, the six male residents' lives change dramatically when two women arrive: Catherine, lively, sexually liberated, willing to kiss, dance, and sleep with the men, and Leonie, reserved, formal, conservative. Leonie finds herself attracted to Leon, a Belgian who was a mercenary in Katanga in 1964, wounded and carrying psychological scars as well. The other men continually play practical jokes on Leon, some of them cruel. As Leon courts Leonie, his horrid mother brings him emotional distress as do his memories of war. Can the two of them get past these obstacles?

Suzanne has had enough of her boyfriend Albert. The drama unfolds in fifteen tableaux, in which she goes over to Albert's friend Emile. Still, these romantic worries go hand in hand with insatiable boredom.

Belgium, 1980. On the banks of the Meuse river, against the background of a steel-producing city, factories close down one after another and lay off workers. One of those made redundant is Fabrice, who, at thirty-five, is proud of his trade, and now feels he has become useless. His wife, Céline, tries to renew his interest in life, but Fabrice remains trapped in his depression, and then one day he disappears...

As war-ravaged South Sudan claims independence from North Sudan and its brutal President, Omar al-Bashir, a tiny, homemade prop plane wings in from France. It is piloted by eagle-eyed documentarian Hubert Sauper, who is mining for stories in a land trapped in the past but careening toward an apocalyptic future.

Set in an imaginary country where the trombone orchestra is the heart of power and photographs have a natural size that limits the number of trombone players that can appear on their official picture.

How many rounds you do have to spin on the dance floor until all your dreams come true? Eugene, Gino, Christina and their friends are already past their prime. But that doesn't stop them to search for love and sex. They meet in Paris daily in dimly dance clubs where they express their desire for living a full life in togetherness through dancing. And if prince charming is reluctant to appear the well-heeled ladies spent some money for lessons with 'taxi boy' Michel. Michel dances with them for money - and behaves like a real gentleman. In search of love both - men and women - overcome nearly every obstacle, even if in many cases it doesn't bring them closer to their aim.

A son is accused of involuntary manslaughter while his younger brother is put in a foster home... .

Cape Verde, 1964. At the feet of a mighty volcano, the traditional Cape Verdean society is undergoing a steady change. The old land-owning aristocracy is disintegrating. A class of "mulattos" begins to emerge, with a trade-based financial power that threatens the landlords. A new identity arises, a mix of old and new, of African and Portuguese culture, sensual and dynamic. The songs of Cesária Évora follow this inevitable transformation. From the novel by Henrique Teixeira de Sousa.

Karim lives in Brussels and is finishing his accounting studies. He soon begins a romantic relationship with Sophie, a young woman he met at a travel agency. But life quickly becomes complicated when you are the son of immigrants, when you are faced, despite your successful studies, with rejection or unemployment, and when you feel torn between two worlds, two cultures! Without resorting to simplistic black-and-white thinking or pessimism, the filmmakers paint an endearing portrait of this couple as they struggle to find themselves, but also with great tenderness.

Constance, 1414. Nothing prepares Marie for the cataclysm that is about to befall her life. Her beauty, chastity, and dowry promise her the best of matches. In love with Michel, her childhood friend, she wants to settle in Cologne to live her life independently. But her father, a wealthy merchant, has other plans. According to his will, she will marry Master Ruppertus Splendidus, a young and brilliant lawyer, the illegitimate son of a local nobleman. This union will allow her to become an aristocrat and gain access to the court. But when Marie is slandered, thrown into prison, and then raped, the fairy tale suddenly turns into a nightmare. Summarily tried and then banished, she has no other choice for survival than to join a group of itinerant prostitutes...

This standard slice-of-life drama is about Dju Dibonga (Richard Courcet), a young man who leaves his home on Cabo Verde, an island of Portuguese dependency off the coast of Africa, to go to Luxembourg and search for his father. Far from his home village and unfamiliar with the large city, the young black man forms an unlikely friendship with a down-and-out white policeman whose only consolation in life is found at the bottom of a bottle. Their developing companionship forms the main focus of this movie directed by Pol Cruchten.

Marie is twelve. When she must return to boarding school after summer vacation, she runs away. After five years at sea, François, 35, anchors ship with the aim of getting together with the woman of his dreams. But he feels uneasy with solid ground beneath his feet and takes to his heels. He and Marie cross paths. She’s a runaway kid looking for a world steadfast and true... and a dad to adopt.