Marija Škaričić

Routinely, but with dedication, Mare runs her small family’s modest household, even though a new washing machine is not the only thing that is missing. When a chance encounter rekindles her libido, she does not hold back for long.

It is no wonder for a son to have the miraculous powers of his father, but when he discovers love, that's the true miracle.

The film is set over the course of a New Year's Eve night in the Croatian port city of Split, where it follows three parallel plots. The first plot line features a small-time drug dealer Nike (Marinko Prga) and a young widow Marija (Nives Ivankovic); the second plot line deals with a drug addict called Maja (Marija Skaricic) who decides to have sex with an US Navy sailor called Franky (Coolio) in exchange for some heroin; the third one shows a young couple, Luka and Andela (Vicko Bilandzic and Ivana Roscic) who spend the night desperately looking for a place to celebrate the New Year by having their first sexual experience. The plots are connected through Dino Dvornik's concert, where all of them pass through at some point, and through the omnipresent fireworks that dot the night sky over the course of the film.

When Ruslana floods her Munich flat, Vladan, a former Boxer from Serbia, comes to her rescue. It is the night when Ruslana's son Bogdan should finally come from Kyiv. He rather falls in love with the spoiled pop-starlet Maria, for whom he is working. Both, however, are depending on Maria's rich patron Jora. The same night in Belgrade Vladan's son Zoran meets Jelena. But she intends to leave her homeland the next day, forever. Three cities. Three Love-Stories. One night in Europe.

Belgrade, 1996. During the student demonstrations against the Milosevic regime, 15-year-old Stefan leads his own revolution in the heat of events: accepting the unacceptable, seeing his mother as an accomplice in the crime and finding, despite the love he feels for her, the strength to confront her.

After the death of her father, young scientist Ana struggles with an identity crisis, being the last member of a once large family. The changes inside her are suddenly reflected in reality – loneliness, crisis, emigration – and her scientific research on mystical symbols and human traces left in stone are mysteriously intertwined with her life.

Vigo lives a life he hates. He spends all day slaving away at a warehouse, having to put up with impossible demands from his higher ups and colleagues he hates. When the workday is finally over, he has to pay the bills, deal with increasing debts and provide a somewhat normal life for his younger sister and his girlfriend, the relationship with which grows more strained and opressive as time goes on. Things change when he meets Marija, a high society college student, with whom he starts a whirlwind romance with, gaining a whole new world of possibilities in the process. But, as time goes on, his facade begins to slip away and Vigo is forced to get into increasingly deeper criminal waters to sustain his image.

Don Fabijan is a young priest who comes to serve on an unnamed small island in the Adriatic. In order to help increase birth rate on the island, he decides to pierce condoms before they are sold. He therefore teams up with the newsagent Petar and the pharmacist Marin. After they abolish all forms of birth control on the entire island, the consequences become more and more complicated.