Marina Glezer

Based on the journals of Che Guevara, leader of the Cuban Revolution. In his memoirs, Guevara recounts adventures he and best friend Alberto Granado had while crossing South America by motorcycle in the early 1950s.

At age 13, a street kid known as "El Polaquito" makes his living mostly by singing tangos on Buenos Aires commuter trains. He falls in love with a 16 year old prostitute, also working for the Mafia controlling child exploitation in one of Argentina's busiest train stations. He tries to rescue her from this cruel life with no future. But to do so, he must confront the ruthless adult gang leaders, as well as the young kids who protect them, believing that this Mafia is truly their only option.

Valentin, an 8-year-old boy living with his grandmother in late-1960s Buenos Aires, is surrounded by problems in his family he finds only himself capable of solving.

Nadia spends a few days in Mar del Plata, where she meets Pablo and Marta, although she's the only one who sparks her interest. While sharing dinner at Marta's house, the atmosphere becomes tense and Pablo becomes violent. The two girls leave and find the warmth they were looking for.

Sol is a young woman from a family in the Buenos Aires suburbs who decides to get back together with her first boyfriend. Without quite knowing why, they try together to recover the relationship that made them fly away. Even though nothing is what it once was, they both persist, sort through the rubble, let themselves be carried away by the comfortable inertia of their youth, seek new emotions, and are seduced into pushing the limits... But time has passed and continues to pass. Life doesn't wait for them. They have to grow up, and that hurts.

Joaquín Góñez, a novelist in his sixties recalls his emotions, his wild years in Buenos Aires, the memories of old friends, the meaning of loyalty and the intimate relationship with his mother, Roma.

Gregorio is a Tupamaro exiled in Spain who has returned to Uruguay. He has not yet revealed his secret: on the site where today he intends to build a house for his family there are buried weapons and ammunition from his guerrilla past.

A young man searching for his missing girlfriend. An unconditional friend willing to do anything to uncover the truth. An investigation that culminates in an old house. Inside await two brutal murderers, armed with twenty-five boxes of explosives that were lost since the last military dictatorship.

An aging slacker finds his comfortable status quo and family dynamic disrupted when his ex-wife and her current partner decide to move from Argentina to Paraguay and take his children with them.

Marcela’s world becomes strange and unfamiliar after her sister Rina dies. She feels lost in her own house, and her relationship with her husband and children seems to suffer. But when Nacho, a young friend of her daughter’s, unexpectedly drops by, she starts to talk and walk with him. Gradually Marcela begins to have conversations with relatives from another dimension.

The beautiful wife of a geologist frantically searches for her missing husband and is haunted by a man who bears a striking resemblance to him.

Three stories, one building, different eras. A society that politically degrades over time, and temptations that lead its protagonists from a state of natural goodness to one of absolute evil. Three tales with characters whose lives are transformed in a space that drags them into utter darkness. And an eternal sentinel.

The universe of Argentine independent cinema. The imposture. The unfulfilled dreams. Confinement—the capability for irony, the skill for comedy and the sagacity of UPA! Una película argentina (2007) are back, renovated, to explore the whims of a microworld still in turmoil.

Argentinian sisters Elena and Natalia, who were separated, meet again in Texas in 1984.

A disgruntled book editor is about to commit suicide when he is interrupted by a woman, who threatens to do the same if he does not read her book.

A lonely and frustrated old woman offers a young student a deal that is difficult to fulfill: a house and food in exchange for a fluid daily conversation.

A very atypical family has a very peculiar way of living post-pandemic.

A journalist states in her weekly column the reasons why she does not want to have any children, defending her position on life and motherhood. But she will have to rethink her beliefs when she meets her new neighbor and his little daughter.

A couple moves to Patagonia escaping from the impositions of modern capitalist society. At first, the place, the people, the life seems to be what they are looking for. A new world away from everything. But soon they will discover that not everything is so magical or so simple, nor are they prepared to deal with that life. They will think about giving up. They will return to the city, but they do not fit there either: the place they left behind has already changed them. They will make a new attempt, a revealed truth, it will make everything stumble stronger than ever. But as they go through this, they will grow stronger to continue trying a new life.

Diego, a hopeless romantic desperately trying to salvage his relationship with long time girlfriend Sofía, plans a beach getaway to propose and clear the air. A casual encounter with Sofía's old friend Malena will cast doubts on his relationship and skewed understanding of love, quickly turning a perfect weekend in paradise into Diego's worst nightmare.

A love story escaping neoliberal times.

The story focuses on the life of a couple and their twin sons, one of whom begins to show that he identifies as a girl. From this, Gabriela, the mother, will try to understand the situation of her son who soon becomes a trans girl, thus beginning a struggle for the rights and gender identity of Luana , who will also have to face the rejection of her father Guillermo.

Anthology series, in which every episode introduces fictionalized versions of real cases about women who, for different reasons, ended up committing murder.

In each episode, which takes place independently of each other, commissioners Jiménez (Luis Luque) and Laurenzi (Darío Grandinetti) must solve different police cases that will be presented to them and will be a challenge for them, for which they will receive the help of the editor literary Daniel Hernández (Nicolás Cabré) who is looking to write a book about crimes.