Sandra Gugliotta

Directing

Sandra Gugliotta

Born July 13, 1969 · Buenos Aires, Argentina (age 57)

No biography available.

Known For

The Wound and the Knife (Notes for a Film About García Wehbi)The Wound and the Knife (Notes for a Film About García Wehbi) · 2019
The Wound and the Knife (Notes for a Film About García Wehbi)
3.02019
MovieDocumentary
"The wound and the knife" is several things, or at least three: a documentary, a fiction and an essay. A documentary about the creative process of the last 5 years of the artist Emilio García Wehbi, a series of fictional scenes that dialogue with his work and a kind of essay on the body. In this sense, the staging is situated in the fragment, not only in the fragments of Wehbi's works, but also in the fragments of the bodies that make up those works. Thus, a little adrift and with a puzzle structure, in "The wound and the knife" I manifest a constant will to jump into the void, in this way the film denies itself as a closed work, but rather, what what it tries to be is a draft, the single notes that survived my own process.
El perseguidorEl perseguidor · 2010
El perseguidor
6.02010
Movie
The Pursuer is a psychological thriller that tells the transformation suffered by a elderly rich couple when a mysterious man breaks into their house. Soon they will discover that the Pursuer not only puts their lives in danger, but He also threatens to reveal their most intimate secrets.
La tomaLa toma · 2013
La toma
2013
MovieDocumentary
Sandra Gugliotta gets into the classrooms of the high school Nicolás Avellaneda neighborhood of Palermo. The flickers of that story coming through the media tend to be in black and white, with heroes and villains, and the film Gugliotta what it shows is how, with successes and failures, all work around a same idea, which is to better education in better conditions. Naturally it is not here an idyllic story is told, while there are conditions ("state special situation in which it is someone or something") in which it becomes very difficult to study and conditions ( "ability or willingness") against which it is also very difficult to hold any dialogue. But before the general state of tension, witness these dialogues is, at least, encouraging. (Extracted from BAFICI.gob.ar)
PosadasPosadas · 2010
Posadas
6.02010
MovieDrama
A Lucky DayA Lucky Day · 2002
A Lucky Day
5.82002
MovieDrama
Buenos Aires in the year 2002; the economical depression has caught the country. Elsa keeps her head above water through several badly paid jobs and occasional criminal offenses with her friends Walter, Laura and Toni. She's saving money for a ticket to Rome to get out of her life and visit an Italian with whom she had a one night stand several months ago.
Esplendor de los días veniderosEsplendor de los días venideros · 2022
Esplendor de los días venideros
6.02022
MovieDocumentary
Possible LivesPossible Lives · 2008
Possible Lives
6.52008
MovieDrama
The beautiful wife of a geologist frantically searches for her missing husband and is haunted by a man who bears a striking resemblance to him.
Someone Is Watching YouSomeone Is Watching You · 1988
Someone Is Watching You
6.01988
MovieMysteryScience Fiction
A group of students undergoes an experiment conducted by American scientists. It consists of testing the effects of a new drug, which allows a dream generated by one person to be shared by several individuals.

Filmography

Sort
The Wound and the Knife (Notes for a Film About García Wehbi)The Wound and the Knife (Notes for a Film About García Wehbi) · 2019
The Wound and the Knife (Notes for a Film About García Wehbi)
3.02019
MovieDocumentary
"The wound and the knife" is several things, or at least three: a documentary, a fiction and an essay. A documentary about the creative process of the last 5 years of the artist Emilio García Wehbi, a series of fictional scenes that dialogue with his work and a kind of essay on the body. In this sense, the staging is situated in the fragment, not only in the fragments of Wehbi's works, but also in the fragments of the bodies that make up those works. Thus, a little adrift and with a puzzle structure, in "The wound and the knife" I manifest a constant will to jump into the void, in this way the film denies itself as a closed work, but rather, what what it tries to be is a draft, the single notes that survived my own process.

Producer

La tomaLa toma · 2013
La toma
2013
MovieDocumentary
Sandra Gugliotta gets into the classrooms of the high school Nicolás Avellaneda neighborhood of Palermo. The flickers of that story coming through the media tend to be in black and white, with heroes and villains, and the film Gugliotta what it shows is how, with successes and failures, all work around a same idea, which is to better education in better conditions. Naturally it is not here an idyllic story is told, while there are conditions ("state special situation in which it is someone or something") in which it becomes very difficult to study and conditions ( "ability or willingness") against which it is also very difficult to hold any dialogue. But before the general state of tension, witness these dialogues is, at least, encouraging. (Extracted from BAFICI.gob.ar)

Director

(In)Voluntary Retirements(In)Voluntary Retirements · 2020
(In)Voluntary Retirements
9.02020
MovieDocumentary
On July 2nd, 2008, at five thirty in the afternoon, a 53-year-old man called Jean-Michel was run over by a train in Saint-Lyé, a town with a population of 3,000 located in the east of France. No one knew whether it was a suicide or an accident. The director investigates around the town, asks different inhabitants what they think of that tragedy. For many people, Jean-Michel had killed himself, after amassing too many worries and problems; the more the voiceover asks, the more mysterious it all gets. But there is a detail from Jean-Michel’s life that connects him to Argentina—he had been an employee at a phone company until a privatization left him without a job. (In)Voluntary Retirements is a documentary that shows how the kinship between Argentina’s politics in the ‘90s and France’s twenty years later damaged the lives of so many people.

Director