Giorgos Vlassis

A hesitant exploration of a trans, non-binary person’s relationship with their body. A film-poem that draws a parallel between the body and a space: a home that requires care in order to function.

Strange monsters appear in the city, seeking to dominate its inhabitants through constant surveillance. Inspired by Michel Foucault’s concept of the Panopticon, the film explores how human behaviour changes when the feeling of being watched becomes a permanent condition.