Ann Scott

In 1972, disenchanted about the dreary conventions of English life, 25-year-old Julia heads for Morocco with her daughters, six-year-old Lucy and precocious eight-year-old Bea.

When married British women Rose Arbuthnot and Lottie Wilkins decide to take a break from their respective spouses, they stay at a castle in Italy for a quiet holiday. Joining the ladies is Caroline Dester, a young socialite, and Mrs. Fisher, an older aristocrat. Liberated from their daily routines, the four women ease into life in rural Italy, and each finds herself transformed by the experience.

As the UK begins its military engagement in the Falklands, a BBC news journalist attempts to climb up from his working-class roots, at any cost, lying to those around him to get what he wants, only to discover that he is the recipient of a deception far more clever than his own.

Madame Ranevsky and her daughter Anya return home from Paris to find their beloved family estate and cherry orchard are to be auctioned off to pay debts. Lopahin, a former serf on the estate who is now a wealthy landowner, proposes razing the home and cherry orchard and dividing the estate into plots that could be leased at great profit. The family, however, continues to hold out hope that their beloved home can somehow be saved from destruction.

Bill is a man who's very bitter about his divorce and losing custody of his son. So, when one of his friends is being sued for divorce by his wife so that she can enter a lesbian relationship, Bill decides to help his friend gain custody of his son...in any way that they can devise, including using a sleazeball lawyer. But while Bill feels that feminism has robbed him of his family, he begins to be appalled at what he and Roger have done.

This neat, intense drama, labelled “a fable for television”, stars Tom Bell as the scruffy, childlike Michael Biddle, who is invited in from the cold of a suburban street by sexually frustrated, bored housewife Cynthia, played by Christine Hargreaves. He declares that he’s an angel, and Cynthia needs an angel, but in a way Michael fears...

At a rural railway station in Victorian England, Jim is a spunky Jack Russell Terrier who escapes his mean master at the circus, and is soon befriended by station porter Bob and lonely orphan Henry. His performing feats soon become a local attraction, and before long he's in the middle of a battle to save the local orphanage.

Three-day weeks, strikes and the lights going out - the winter of 1973-4 finally spurs Hugh into political action. But is his new-found zeal going to be enough for the unexpected demands the new life makes of him?

In their songs, comedy and exuberant music, a travelling theatre company give a fiercely polemic account of Scottish history, from the aftermath of Culloden to the oil boom. Their production before a live audience is intercut with filmed reconstructions of the Highland Clearances and the Victorian obsession with hunting stags.

In 1945, the Carlions assemble at an English country house for a family gathering. During the event, they must determine who is to take over the family brewing empire, since the present head of the business, Sir Frederick, is getting old. The results of the 1945 general election causes a major stir, and some angry farmers occupy a barn.

Doting parents must adjust to life without their children as their offspring leave for college and form relationships.

Pubs, pigeons, weight-lifting – that's Terry's life, and his wife Glenda feels neglected. But now Terry's best mate, Albert, is on leave from the Merchant Navy, and Albert knows how to treat a lady. 'Fireworks assured,' says the wrestling poster.

Three teen girls in a Motown band embark on an emotional ride to hell and back.

Speech Day is a bit of a laugh if you are not one of nature's prize-winners. But now that they've finished with school and school with them, what comes next for Ronnie, Wally and Rob?

Tom is a young man with AIDS living in London with his lover Ira. The disease has exaggerated Toms nervous energy and in his manic state he suddenly decides to go to Glasgow to visit the family he hasn't seen in ten years. His brother Ian is thoroughly disgusted by his lifestyle and only his mother shows any compassion for him. The visit soon develops into a nightmare as dementia sets in and Tom's health rapidly declines. Finally, events come to a head and Ira has no choice but to force Tom back to London, where he expects him to die at any time. After treatment, Tom gets a brief reprieve, having discovered that his real family is his adopted one in London.

Playwright Christopher Hudson finds his medical problem hinders his writing. He employs secretary Sandra George and dictates his new play to her, but tensions soon develop between the two. As Hudson creates, scenes from his play are dramatized and interpolated. The play being created is Dennis Potter's Angels Are So Few, seen with a totally different cast from the 1970 BBC production.

Jack is obsessed with nuclear armageddon and takes his wife, Ellen, and their children into a fallout shelter in their garden to wait out the atomic bomb.

The play tells the story of Christine Potts, who undergoes an unexpected mastectomy, and struggles to cope with the aftermath and the deficiencies of her post-operative care.

A woman is attempting to cope with her son's tragic death when her mother arrives on an ill-timed visit with her own remedies.

"The voice will make its effect. And it will, undoubtedly, be very touching. But, tell me: after his voice has broken, can you make anything of him then?" After the solo, after the chorus, after the applause?

After the break-up of a long-term relationship, urban sophisticate Norah seeks refuge in a remote house in the country.

A farmer becomes an unintentional celebrity when, because of a strike, he has to walk his 500 geese 100 miles to market at Christmastime.

Olwen lives in a tumbledown farm up in the mountains - a lonely widow, virtually a recluse. Her only human contact is with the occasional shopkeeper and young Rachel, who delivers her papers. For Rachel, her visits to Olwen are half adventure, half honest friendship. But they also mean a time to 'put aside childish things.'

The religious beliefs of pet shop owner Joe (Freddie Jones) are shaken by the terminal illness of his daughter Lucy (Angharad Rees). For Potter, this play "makes more than a wry nod at possibilities which can comprehend pain, or disgust, or the implacable presence of death itself."

Anthology series of half hour plays produced in BBC's Television Centre's studios.