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Delta V

Acting

Delta V

Carlo Bertotti and Flavio Ferri met at a language-focused high school in the 1980s. From then on they began collaborating on various musical projects, eventually forming Delta V, who in 2025 celebrated 30 years together: it was in 1995 that they signed their first record deal. They made their debut in 1998 with the album “Spazio”, which was a great success and won the Ciampi Award for best debut r…

Known For

Wendy (Mao Remix)Wendy (Mao Remix) · 2026
Wendy (Mao Remix)
2026
MovieDocumentaryMusic
Official music video for “Wendy (Remix)”, the electronic reinterpretation of the Delta V track by Italian singer-songwriter Mao, released on 31 July 2026 as the closing chapter of the album “In fatti ostili RMX”. Mao’s remix holds the voice back for almost two minutes while the arrangement circles and expands, projecting the original songwriting into a nocturnal and rarefied space. Directed by Brussels-born, Montreal-based filmmaker Nicolas Fransolet and shot entirely in Tokyo, the film has no protagonist and no narrative. It follows the city through a single arc of hours, from daylight into night, moving inside the flow of streets, stations and suburbs. The images are observed rather than staged: what appears on screen is what happened in front of the lens. What emerges is the portrait of a place at once distant and familiar, where the vast scale of the metropolis and the smallness of individual gestures inhabit the same frame. Proximity and connection almost never coincide.

Filmography

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Wendy (Mao Remix)Wendy (Mao Remix) · 2026
Wendy (Mao Remix)
2026
MovieDocumentaryMusic
Official music video for “Wendy (Remix)”, the electronic reinterpretation of the Delta V track by Italian singer-songwriter Mao, released on 31 July 2026 as the closing chapter of the album “In fatti ostili RMX”. Mao’s remix holds the voice back for almost two minutes while the arrangement circles and expands, projecting the original songwriting into a nocturnal and rarefied space. Directed by Brussels-born, Montreal-based filmmaker Nicolas Fransolet and shot entirely in Tokyo, the film has no protagonist and no narrative. It follows the city through a single arc of hours, from daylight into night, moving inside the flow of streets, stations and suburbs. The images are observed rather than staged: what appears on screen is what happened in front of the lens. What emerges is the portrait of a place at once distant and familiar, where the vast scale of the metropolis and the smallness of individual gestures inhabit the same frame. Proximity and connection almost never coincide.

Artist