Mate Matišić

The film is set over the course of a New Year's Eve night in the Croatian port city of Split, where it follows three parallel plots. The first plot line features a small-time drug dealer Nike (Marinko Prga) and a young widow Marija (Nives Ivankovic); the second plot line deals with a drug addict called Maja (Marija Skaricic) who decides to have sex with an US Navy sailor called Franky (Coolio) in exchange for some heroin; the third one shows a young couple, Luka and Andela (Vicko Bilandzic and Ivana Roscic) who spend the night desperately looking for a place to celebrate the New Year by having their first sexual experience. The plots are connected through Dino Dvornik's concert, where all of them pass through at some point, and through the omnipresent fireworks that dot the night sky over the course of the film.

Djuro is a Romany, he has a large, happy family, and earns a living appearing in Serbian porn films. And it's through his sarcastic perspective that we follow the story of the Croatian war veteran Martin. He falls in love with a beautiful girl who plays Little Red Riding Hood in a porn version of the fairy tale. She is also a prostitute. To be with her, Martin has to buy her from her pimp. A tragicomic story of love in a world where it seems all human values are put up for sale or destined for cynical destruction

TV movie made for New Year’s Eve.

Don Fabijan is a young priest who comes to serve on an unnamed small island in the Adriatic. In order to help increase birth rate on the island, he decides to pierce condoms before they are sold. He therefore teams up with the newsagent Petar and the pharmacist Marin. After they abolish all forms of birth control on the entire island, the consequences become more and more complicated.

Ivan is a 36-year old ex-rock singer and a disillusioned war veteran who lost both legs in the recent Croatian Homeland War. His father, Izidor, was a well-known political prisoner in the former Yugoslavia, and is now standing as an independent candidate for the Croatian Parliament. Then a face from the past re-appears: an impoverished Serbian refugee called Simo, who has recently returned to the town. As an ex-communist official, Simo imprisoned Izidor decades ago. He knows certain facts about Izidor that could destroy his reputation and wreck his political campaign. Simo demands money, in return for his silence and he also has a secret rendezvous with Ivan's mother, Ana. Soon a long-buried secret surfaces once more - with huge repercussions for Ivan. He starts to provoke hard-line Croatians by singing Serbian nationalistic songs, daring them to kill him.

Statistics show that during his professional career every railroad engineer working for railways, unintentionally kills 15 to 20 people. This is a story about the innocent mass murderers and their lives.

Iva and Marija, a young lesbian couple, rent an apartment in Zagreb, in a building that seems to provide a quiet and safe environment for their love, but over time the atmosphere in the building becomes more and more threatening. The elder landlady Olga dominates the building. Other tenants include her calm husband, her grown-up son Daniel who has a crush on Iva, the prostitute Lidija, an abused housewife, a widower keeping the corpse of his newly deceased wife, a gynecologist performing abortions in one flat of the house, and an ex-soldier who regularly plays martial music at night. After Olga finds out that Iva and Marija are lesbians, the situation escalates .

In order to recover the body of her son lost during the war in Bosnia, a grieving, but strong-willed Muslim woman, Halima, must track down her estranged niece, who we find carries a mysterious connection to him.

Antonio and Nikola are inseparable friends who live across the road from each other, and share a love of pyrotechnics and mobile phones. Their families have been in dispute for years over an easily resolvable problem: the water that flows from the top house to the bottom house. The boys’ friendship, as they are about to enter puberty, is put to the test at Christmas time when their families uncover much more dangerous secrets and interests, and the water just carries the hate of the adults to the children.

Set amid the atrocities of war in the Balkans, Witnesses is retold, Rashomon-style, from various characters' viewpoints, adding new information about the complexity of war and humanity. Beginning inside a rustic house with a woman in black (Mirjana Karanovic) standing beside her husband's coffin, Witnesses interweaves the stories of a small town confronting ethnic hatred and deep moral ambiguities.

A story about suicidal general, a minister in the Croatian government who voluntarily locks himself inside a prison cell, and 4 pensioners, who steal the coffin with the remains of the late Croatian president.

20 years ago, Vesna moved her family to Zagreb, away from the events that almost destroyed their lives. However, an unexpected call will bring back the memory of a secret that she has been trying to hide all these years.

During the Yugoslav Wars in the 1990s, the Croat Ante and the Serb Duško fought on opposing sides. After the confilct had concluded, as many others before and after them, they moved on with their lives and found happyness in other places. Ante returned to his small village in the Dalmatian Hinterland and turned to alcoholism. Duško moved to Banja Luka and continued his life as a professional volleyball player, trying to be the best possible father for his young daughter Ingrid and get over the recent news of his wife's affair with his best man. Their routine is suddenly thwarted when a mysterious man in black named Antiša enters their lives and takes them away to an abanndoned warehouse near Zagreb, offering them a large sum of money under one simple condition: if they testify against a war criminal on an international tribunal.

A young man flees to the United States searching for the American dream.

A story involving a group of traveling actors who perform at an experimental prison where the thieves have first class comforts provided to them by a reformist warden. Ironically the troupe performs a play named The State Thief, a play about thieves for thieves.

In this politically charged drama, the turbulent times just following Marshal Tito's rejection of ties to Moscow comes to life. Interestingly, even in the first few years after the Yugoslavian leader's death, the subject matter of this film was considered too hot to handle, and the director had to appeal to the courts for permission to shoot it. In the story, Martin is a schoolboy with a sense of the absurd and a willingness to use ridicule to amuse himself and his classmates. He has an uncle who is high up in the nation's bureaucracy who protects him and his grandfather now that his father has died. His grandfather is too stubborn to give his farm to the local farming collective, and Martin himself is in hot water with the principal for making fun of his girlfriend, one of the students at the high school. However, as long as the uncle is able to protect them, they remain out of hot water.

Ivan, a young Croatian autonomist whose brother left the country due to political persecution, falls in love with Marina, the duaghter of a staunch communist police chief. Their forbidden whirlwind romance takes place against the backdrop of early 1980s Zagreb's everchanging sociopolitical background following the death of Yugoslavia's president Josip Broz Tito.

An obscure actor is hired by the police to get a confession out of a dying mafioso.