Fernanda Didier

Bia wakes up in the bedroom of her best friend, Gabie, exactly as it was years ago. On a night that feels suspended in time, the two revisit memories, fears, and dreams, as Bia begins to see her friend's worries from the perspective of someone who knows the weight some of them will still carry. As the conversation unfolds, small details make that reunion increasingly hard to explain.

Camila (2026) is a Brazilian psychological drama short film written and directed by Anthony Candido. The film explores the aftermath of trauma and the transformative nature of the creative process through an intimate, psychologically driven narrative. The story follows Clarice, a writer struggling with a debilitating creative block who moves into an isolated apartment in search of a fresh start. Cut off from the outside world, she is left with no choice but to confront emotions and memories she cannot fully understand herself. As the boundaries between reality, memory, and imagination begin to dissolve, the enigmatic figure of Camila (?) emerges as a guide through Clarice’s inner descent, while the unsettling presence of a supposed neighbor slowly turns the apartment into a space of growing unease.

When Tatiana's friends find her catatonic, they decide to gather the group of friends to try to help her. Between mystical and medical approaches, they realize that to wake Tatiana up they must call Arthur, her ex-boyfriend. When he arrives, he manages to snap her out of the trance, but not in the way they expected.