Motilal

Do Mastane is a 1958 Hindi film directed by Harish Tara.

Set in 1910, its modern hero, Kanwal (Motilal), invents a ray that records pain and pleasure photographically. His experiments render him blind. Country lass Meera (Shamim) tends to him and they fall in love. Later Meera meets a sage (Shah) who has an expensive magic potion that cures blindness. Unable to afford it, Meera kills the sage, grabs the medicine and goes to Kanwal’s house while all nature protests her actions. There the evil Diwan (Bhagwandas) and his accomplices steal the medicine, cure Kanwal and take the credit. Kanwal, who can now see but does not recognise Meera, accuses her of murder but eventually realises the truth.

A businessman's family is torn apart by an earthquake and reunited years later in a courtroom where father and sons stand opposed in the roles of accused, lawyer, and witness.

A period adventure with Motilal in a famous dual role. Judhajit (Sankatha), the outlawed brother of the king of Udayanagar, wants revenge on the royal family. He had left the palace with one of the king's twin sons who grew up as Indrajit, the twin of the drunken and debauched Prince Shatrujit (both Motilal) due to marry Princess Chanda (Sabita Devi). Indrajit is sent to kidnap her as part of the vendetta but the two fall in love. Shatrujit is too drunk to go through the marriage procedure and the dewan (Ansari) asks Indrajit to impersonate his brother. Indrajit is now torn between his love for Chanda and his promise to the dewan, but the story ends happily,

The narrative follows the classic golden-age trope of a complicated love story. The romance between the characters played by Motilal and Suraiya is tested by rigid family hierarchies, societal expectations, and the pressures of arranged marriages

Motilal in the role of a doctor, wants to join the revolutionaries along with his girlfriend played by Shobhana Samarth. Both are opposed by their parents. The parents find it difficult to come to terms with what they consider as 'western influences' on their children in clothes and thinking. Several humorous situations arise in the process with everything finally ending to the satisfaction of both generations.

A 1945 Bollywood film starring Motilal and Nargis

A social woman-centered film interrogating aspects of feudal patriarchy. The painter Ashok (Surendra) who loves the orphaned Vimala (Bibbo) is distressed to learn that she is due to marry Jagdish (Yakub). He paints Vimala's portraits with a frenzied obsession and becomes a famous artist. Paralleling this love story is the decline in Ashok's family fortunes.