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Bastián Fernández Osorio

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Bastián Fernández Osorio

Born April 11, 1998 · Santiago de Chile, Chile (age 28)

Bastián Osorio, previously credited as Bastián Fernández, is a Chilean photographer, director, and cinematographer based in Puerto Varas. His work explores observation, atmosphere, and the emotional relationship between landscape and memory. His main works include Eyes on Santiago, Red Blood, and Kevin Has No Name. He also worked in fashion film and fashion photography before shifting toward analo…

Known For

Blood RedBlood Red · 2022
Blood Red
2022
MovieThriller
Inspired by the infamous “Rojo Case,” the film portrays the fragile dynamics and emotional fractures preceding a shocking family crime.
Kevin has no nameKevin has no name · 2022
Kevin has no name
2022
MovieDrama
Kevin (14) is a teenager who escaped from a juvenile detention home (SENAME) in Valparaíso. Now, he wanders the streets of Santiago, trying to forget a crime he was accidentally involved in years ago. After learning about the death of a girl from the same institution, Kevin decides to return to Valparaíso to visit her grave. However, when he reunites with Jeremy (16), his former partner in crime, he is forced to confront his past and question whether a future is still possible for them.
The Afterlife of Cinema
Feb 7, 2027
The Afterlife of Cinema · 2027
The Afterlife of Cinema
2027
MovieScience FictionMystery
2030. After the latest technological revolution driven by artificial intelligence, cinema has been declared extinct and films are considered obsolete. When Margot, an unemployed film critic, discovers a poster for a clandestine film festival, she embarks on a journey that challenges everything she believes about memory, cinema, and what it means for a film to survive.
Eyes on SantiagoEyes on Santiago · 2021
Eyes on Santiago
2021
MovieDramaDocumentary
An observational journey through downtown Santiago during the post-lockdown period, where thousands of workers flood the city each day, exposing the fragile line between survival, exhaustion, and collective abandonment in the midst of the pandemic.

Filmography

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