Jorge Goldenberg

A man who witnesses the casual disappearances of coworkers from a factory starts making investigations.

Follows a jewish wedding party from planning until the end.

A dramatized account of Colombia's 1985 Palace of Justice siege combines fictional elements with historical footage, exploring themes of belief, turmoil, and lasting national trauma.

Close-up on a man who censored films during the last military dictatorship in Argentina, slightly inspired by the infamous Miguel Paulino Tato.

In an Argentine village in the 1930s, the willful Leonor discovers that her beloved daughter, Charlotte, has dwarfism. Attempting to let her have as normal a childhood as possible, Leonor never discusses Charlotte's lack of stature, nor lets anyone else in the village ever mention it. As Charlotte grows up into a smart and self-possessed young woman, local eccentric Ludovico, who collects miniatures, becomes smitten with her.

After Moishe's death, family and friends sit Shiva in Mexico City. During seven days, secrets will be disclosed.

A body is discovered impaled on a stake near a scenic lake near Bogota. A journalist try to find what happened. With a friend, they set about to find the cause of the crime and uncover an intricate real estate fraud involving corrupt politicians, emerald hunters, nudists...

After the death of his mother, a repressed tv writer is forced to take care of his father who is loosing his memory, obsessed with his wife is still alive and lost.

A man meets a former military service buddy who offers him a good deal. Money starts pouring in, but things change from one day to the next.

This drama is based on a novel and incomplete screenplay by the late Maria Luis Bemberg. In 1930s Argentina, wealthy Sebastian (Antonio Birabent) leaves his Buenos Aires home for the family estate on the pampas. His family, concerned for his physical and mental health, arranges for Sebastian's childhood friend Juan (Walter Quiroz) to check on Sebastian's situation. Juan finds the highly erratic Sebastian caught in a doomed relationship with the Danish daughter of religious sect members. Unfortunately, Juan also becomes obsessed with the young woman, and Sebastian's suspicions increase.

A former East Germany secret agent runs away fron his past and lands in Mexico under a fake identity. However he's caught by the Mexican secret police and forced to infiltrate a political activist group in the movement of 68. Helmut Busch (now Bruno) meets Adela, one of the activists, and he then faces dilemma.

Traveling dentist O'Connell traverses South America on his motorcycle for the 'Eversmile' foundation of New Jersey, in a fight not only against cavities, but also against fear, ignorance, indifference - and established antediluvian dentists. During a stop at a lonesome garage he meets Estella, who is supposed to marry a few days later. However she'd rather come with him - to meet a former boyfriend in another town, she says. Expecting problems, he refuses to take her, but she tricks him into it and then tries hard to convince him of her qualities and let her stay with him.

A group of tenants facing eviction due to a city renovation unite to fight back, but as they clash with the landlord and his ruthless attorney, they each transform into the opposite of who they once were.

A doctor and expert in ethics, Sergio Graf has to fight the Chilean health system as a patient when he gets Guillain-Barré syndrome. It is a journey toward physical deterioration, a loss of safety, and returning to something that he has until now taken for granted: his family.

Maqroll, Ilona, and Abdul all share a common dream: to sail the world in a tramp-steamer. But who could afford such a thing? Over the years they have become separated. Alone in Panama City, smuggler Maqroll is finding neither great success nor happiness — until the tropical rains come, bringing Ilona: friend, lover, and partner in crime. Abdul, in Morocco, has found a steamer to suit them. In Panama, Ilona and Maqroll begin a new scheme, in search of impossible wealth. But fate has further twists in store.

Short film about a picturesque itinerant operator who took the cinema around the towns. Produced by students of the Santa Fe School.

The film tells how in 1970 a group of Argentine filmmakers - including Alberto Fischerman, Rafael Filippelli, Julio Ludueña, Miguel Bejo, Jorge Cedrón, Dody Scheuer and Luis Zanger - decided to make a short film each in one night. The occasion is perfect to describe the atmosphere of the '70s, the fever in which militants and publicists lived, the clash between art and politics. Includes fragments of the films The Players vs. Ángeles Caídos (Fischerman, 1969), Shadows (John Cassavetes, 1959), Made in U.S.A. (Jean-Luc Godard, 1966), L'eclisse (Michelangelo Antonioni, 1962), The Hour of the Furnaces (Pino Solanas & Octavio Getino, 1968), Tire dié (Fernando Birri, 1960), Alianza para el progreso (Ludueña, 1971), La civilización está haciendo masa y no deja oír (Ludueña, 1974) and La pieza de Franz (Fischerman, 1974).

The living and working conditions and the exploitation to which the "axemen" workers are subjected in the province of Santa Fe, Argentina, in what was one of the most powerful companies of imperialism.

Nora and Javier have been hired to transport a shipment of cocaine in an ambulance. With the help of Wendy, Javier's transvestite brother, they rob a part of the shipment and escape from the police. Moulded by loneliness, indifference and a lack of communication, Nora, Javier and Wendy are three youths with no future who move on the outer rim of society and are helpless in the face of a corrupt power. They hide in El Marquesado, a seaside resort built by the military on dynamited cliffs where Rodolfo and Mercedes, Javier and Wendy's parents, survive by rustling pigs and cows from neighbouring farms. The conflicts and tensions in this marginal family resurface as they are reunited in this remote place with a sinister past.

Four friends, one of whom dies, and another, who discovers that he was killed, gets involved in a crime network.

When a marriage separates, a teenage girl chooses to move in with her father.

Buenos Aires movie director, very fond of the legend of the King of Patagonia and Araucania, decides to make a movie about it. Despite of financial troubles, technical problems, misfortune and desertions, he undertakes the journey to Patagonia for the film with a second-rate actor company. Neglected by the producer and shortly after by the company, he will make the movie alone, in a surreal landscape like mad.

The way a group of police journalists track and obtain information for their work.