Jorge Goldenberg

The living and working conditions and the exploitation to which the "axemen" workers are subjected in the province of Santa Fe, Argentina, in what was one of the most powerful companies of imperialism.

Juan Libonatti, a seller of fine wines, like up in the company where he works. His car, a brand new Citroen, will be an essential tool to sell more wine in less time and be able to move up. But one day it is stolen and he had not paid the insurance fee. That will be the beginning of a tragedy that will lead to self-destruction.

A man who witnesses the casual disappearances of coworkers from a factory starts making investigations.

A dramatized account of Colombia's 1985 Palace of Justice siege combines fictional elements with historical footage, exploring themes of belief, turmoil, and lasting national trauma.

Follows a jewish wedding party from planning until the end.

Close-up on a man who censored films during the last military dictatorship in Argentina, slightly inspired by the infamous Miguel Paulino Tato.

This drama is based on a novel and incomplete screenplay by the late Maria Luis Bemberg. In 1930s Argentina, wealthy Sebastian (Antonio Birabent) leaves his Buenos Aires home for the family estate on the pampas. His family, concerned for his physical and mental health, arranges for Sebastian's childhood friend Juan (Walter Quiroz) to check on Sebastian's situation. Juan finds the highly erratic Sebastian caught in a doomed relationship with the Danish daughter of religious sect members. Unfortunately, Juan also becomes obsessed with the young woman, and Sebastian's suspicions increase.

Short film about a picturesque itinerant operator who took the cinema around the towns. Produced by students of the Santa Fe School.

The way a group of police journalists track and obtain information for their work.

After the sudden death of El Gato, his body must be carried in the rain to the cemetery.

A man meets a former military service buddy who offers him a good deal. Money starts pouring in, but things change from one day to the next.

A body is discovered impaled on a stake near a scenic lake near Bogota. A journalist try to find what happened. With a friend, they set about to find the cause of the crime and uncover an intricate real estate fraud involving corrupt politicians, emerald hunters, nudists...

When a marriage separates, a teenage girl chooses to move in with her father.

Maqroll, Ilona, and Abdul all share a common dream: to sail the world in a tramp-steamer. But who could afford such a thing? Over the years they have become separated. Alone in Panama City, smuggler Maqroll is finding neither great success nor happiness — until the tropical rains come, bringing Ilona: friend, lover, and partner in crime. Abdul, in Morocco, has found a steamer to suit them. In Panama, Ilona and Maqroll begin a new scheme, in search of impossible wealth. But fate has further twists in store.

Traveling dentist O'Connell traverses South America on his motorcycle for the 'Eversmile' foundation of New Jersey, in a fight not only against cavities, but also against fear, ignorance, indifference - and established antediluvian dentists. During a stop at a lonesome garage he meets Estella, who is supposed to marry a few days later. However she'd rather come with him - to meet a former boyfriend in another town, she says. Expecting problems, he refuses to take her, but she tricks him into it and then tries hard to convince him of her qualities and let her stay with him.

During the day, a non-conformist young man and his friends try to make a living by doing odd jobs; at night, they sink at the Moderno Bar.

A group of tenants facing eviction due to a city renovation unite to fight back, but as they clash with the landlord and his ruthless attorney, they each transform into the opposite of who they once were.

The film tells how in 1970 a group of Argentine filmmakers - including Alberto Fischerman, Rafael Filippelli, Julio Ludueña, Miguel Bejo, Jorge Cedrón, Dody Scheuer and Luis Zanger - decided to make a short film each in one night. The occasion is perfect to describe the atmosphere of the '70s, the fever in which militants and publicists lived, the clash between art and politics. Includes fragments of the films The Players vs. Ángeles Caídos (Fischerman, 1969), Shadows (John Cassavetes, 1959), Made in U.S.A. (Jean-Luc Godard, 1966), L'eclisse (Michelangelo Antonioni, 1962), The Hour of the Furnaces (Pino Solanas & Octavio Getino, 1968), Tire dié (Fernando Birri, 1960), Alianza para el progreso (Ludueña, 1971), La civilización está haciendo masa y no deja oír (Ludueña, 1974) and La pieza de Franz (Fischerman, 1974).

The film recreates the arrival of a group of Jewish immigrants fleeing persecution in Czarist Russia, establishing the first Hebrew colonies in the province of Entre Rios, Argentina.

Documentary about another documentary by its director Patricio Coll and Jorge Goldenberg, "Hachero nomás".

Nora and Javier have been hired to transport a shipment of cocaine in an ambulance. With the help of Wendy, Javier's transvestite brother, they rob a part of the shipment and escape from the police. Moulded by loneliness, indifference and a lack of communication, Nora, Javier and Wendy are three youths with no future who move on the outer rim of society and are helpless in the face of a corrupt power. They hide in El Marquesado, a seaside resort built by the military on dynamited cliffs where Rodolfo and Mercedes, Javier and Wendy's parents, survive by rustling pigs and cows from neighbouring farms. The conflicts and tensions in this marginal family resurface as they are reunited in this remote place with a sinister past.

A man’s enthusiasm turns into greed and causes trouble for his family.

After Moishe's death, family and friends sit Shiva in Mexico City. During seven days, secrets will be disclosed.

In the summer of 1928, several inmates from the National Penitentiary in Buenos Aires managed to escape. The film narrates the fate of each of these runaways in search of their destiny - tough men with their own ethical codes and ready to do anything not to return to prison. Some of them will suffer violent deaths, while others manage de disappear. Sordid and moving stories, not excluding tenderness and love, mercy or horror sealed with a pact of prison love that will remain in the heart of Buenos Aires, as witness of the yearned-for freedom.