Nimshi Bernicè

LOVER LOVE, a new commission for the Leslie-Lohman Museum of Art by Shu Lea Cheang (b. 1954), begins with a portal. A window is flung open and the gray wall of an apartment block dissolves into a turbulent, overcast sky, against which a smoky being is enveloped by a six-winged seraphim—an angel of the highest order. This collaboratively scripted film moves between physical and virtual space: between performances in a motel room, a junkyard, and city streets amid surrounding nature, we can see desert plants blooming anthropomorphic appendages and souls escaping inhuman oppression to take transhuman flight.