Ganga

When a dancer makes a king realise the insignificance of the worldly pleasures, he decides to devote his life to the Almighty and starts reciting tales and songs of His greatness.

The film deals with a triangular love with a good measure of values of the high society and those of liberal culture of the 60s.

Rajaraja Cholan is a 1973 Tamil film about the life of the Chola king Rajaraja Chola.

Kodimalar is a 1966 Indian Tamil language film, directed by C. V. Sridhar and produced by S. L. Nahaatha and A. K. Balasubramanian. The film stars R. Muthuraman, C. R. Vijayakumari, A. V. M. Rajan, Kanchana and Nagesh in lead roles. The film had musical score by MS Viswanathan.

Harichandra (Tamil: ஹரிச்சந்திரா) is a 1968 Indian Tamil film, directed by K. S. Prakash Rao and produced by G. Varalakshmi. The film stars Sivaji Ganesan, G. Varalakshmi, T. S. Balaiah and K. A. Thangavelu in lead roles. The film had musical score by K. V. Mahadevan

Kalai Kovil (Temple of Art) is a 1964 Indian Tamil-language film, directed by C. V. Sridhar and produced by Visu and Ganga. The film stars S. V. Subbaiah, Chandrakantha, R. Muthuraman and Rajasree in lead roles. The film had musical score by Viswanathan–Ramamoorthy. The film was released on 25 September 1964.

Ravi, a businessman, falls in love with Lalitha, a professional dancer. But her father challenges him to learn the art of dance in order to marry his daughter.

Pattikada Pattanama is a story about Mookkaiyan and kalpana who are completely opposite in their way of culture.Kalpana returns back to India after studying abroad and visits Mookkaiyans

Due to unforeseen circumstances, Suguna ends up marrying Raja Shekar, her lover Chandra Shekar's older brother. However, when their past relationship resurfaces, things get complicated.

Thirumal Perumai tells three spell-bounding stories about how far you can get with Lord Vishnus

Siblings Rakhi and Raju are orphaned at a young age but grow up to become successful entrepreneurs. However, petty differences over their earned wealth and property threaten to ruin their bond.

After four brothers get killed in succession, Vimalanathan and his niece, Susila, are the sole survivors. So, Bhaskar, Susila's lover, tries to find the stalker who is hunting his lover's family.

Punar Janmam (Rebirth) is a 1961 Indian Tamil-language drama film directed by R. S. Mani. The film stars Sivaji Ganesan, Padmini, Ragini and P. Kannamba in lead roles. The film, produced by N. S. Diraviyam under Vijaya Films banner, had musical score by T. Chalapathi Rao and was released on 21 April 1961.

Antony, an ex-convict, leaves the country after killing his daughter's lover. He returns many years later as a reputable man, but his friend, Lawrence, recognises him and tries to expose him.

A classical bharatanatyam dancer and a nathaswaram player fall in love against the wishes of her family.

Beautiful Radha lives in a small hill-station in India. One day, Mahesh comes for sight-seeing, both meet, fall in love with each other, get intimate, and Mahesh promises to return, marry her and take her with him to live in Bombay. He does not return, Radha continues to search for him in every train that stops at Shampur, in vain. She eventually gives birth to a baby girl, Laxmi, and both are looked after by Shampur's kind-hearted Station Master. Radha does come across Mahesh, but he refuses to recognize her, and she kills herself. The Station Master takes Laxmi to her next of kin, in all two families, but all reject Laxmi, consider her inauspicious, and will have nothing to do with her. He leaves Laxmi with her maternal grand-parent, Bhagwanti and her husband, but Laxmi is abused and she runs away to Bombay, where she is befriended and looked after by a blind beggar, Anwar.

Bommi, a princess, falls in love with Veeran, the adopted son of a cobbler, who reciprocates her feelings. However, when her uncle persuades the king to get Bommi married to him, Veeran abducts her.

Aana Valarthiya Vanampadiyude Makan is a 1971 Indian Malayalam-language film, directed and produced by P. Subramaniam.

When Sita’s husband, Ram, is diagnosed with cancer, their lives are thrown into a tailspin—only to be further complicated when his treating physician turns out to be Dharmesh, Sita’s former lover.

Ashok is in love with his boss' daughter, Nirmala. To convince Viswanathan, he seeks his best friend Vasu's help, who disguises as his father.

Ravi, the only son of Vedachalam (Baliah), has traveled on business. Returning home, he meets a young woman on the train after picking up her spilled luggage. The contents of the luggage reveal that she is his sister, from his father's teenage years. When he returns home, she is moved in and living a life of wealthy luxury. But is she really who she says she is?

The film is a social drama, with its plot around university professor Dr. Kumar (Ashok Kumar), who lives with his wife Padma (Bhanumati), his drunkard son Jyoti (Raaj Kumar), outgoing daughter Chitra (Tanuja) and his friend's daughter Rekha (Mala Sinha). Dr. Kumar and his wife have a different outlook towards life, with him preferring books and philosophy, while his wife Padma prefers social gatherings and society clubs. Padma never considered Jyoti her son, who works as a mill designer, a profession she considers too poor to acknowledge. Chitra is encouraged by her mother to mingle freely in high society, much to the disappointment of her worried father.

The Hindu god Shiva gives a sacred mango fruit, brought by the sage Narada, to his elder son Vinayaka as a prize for outsmarting his younger brother Muruga in a competition. Angry with his father, Muruga leaves home for Palani. He meets Avvaiyar, one of his devotees, along the way. Despite her attempts to convince Muruga to return to Mount Kailash, he remains adamant about his decision to leave his family. His mother, the goddess Parvati, arrives there and tells the stories of four of Shiva's divine games to calm Muruga.

Widower Ramlal lives a wealthy lifestyle near Poona, India along with two daughters and a son. His daughter, Malti, is a Science Graduate; Nirmala, a matriculate, and the son, Atma, who wants his dad to finance a Hindi film which he himself will produce under the banner of 'Wah Wah Productions'