Paul Livingston

Babe is a little pig who doesn't quite know his place in the world. With a bunch of odd friends, like Ferdinand the duck who thinks he is a rooster and Fly the dog he calls mum, Babe realises that he has the makings to become the greatest sheep pig of all time, and Farmer Hoggett knows it. With the help of the sheep dogs, Babe learns that a pig can be anything that he wants to be.

A man struggles with memories of his past, including a wife he cannot remember, in a nightmarish world with no sun and run by beings with telekinetic powers who seek the souls of humans.

Mumble the penguin has a problem: his son Erik, who is reluctant to dance, encounters the Mighty Sven — a penguin who can fly! Things get worse for Mumble when the world is shaken by powerful forces, causing him to bring together the penguin nations and their allies to set things right.

Babe, fresh from his victory in the sheepherding contest, returns to Farmer Hoggett's farm, but after Farmer Hoggett is injured and unable to work, Babe has to go to the big city to save the farm.

In 1999, a woman's life is forever changed after she survives a car crash with two bank robbers, who enlist her help to take the money to a drop in Paris. On the way, she runs into another fugitive from the law — an American doctor on the run from the CIA. They want to confiscate his father's invention – a device which allows anyone to record their dreams and visions.

Cumberland, 1348. The plague is spreading in medieval England. The remote village of little Griffin is also threatened. But the 9-year-old boy has a recurring dream that holds the key to a tiny hope of survival: a lake with a coffin floating on it. A white church with an iron cross. A falling glove. A falling silhouette. A torch tumble through a dark shaft into infinity. With his brother he recognizes in it a prophecy to escape the Black Death. So they embark with a few men on a journey to a distant cathedral, where they want to set up an iron cross as an offering to God. Her path leads them through a deep and dark mine shaft into an unknown land and completely outlandish time - into the present-day New Zealand of the 1980s.

The buttoned-down, superstitious Kay is attempting to lead a normal existence with her new boyfriend Louis. That’s until Sweetie, her rampaging, devil-may-care sister, returns home after an absence, exposing the rotten roots of their family and placing a strain on Kay and Louis’ relationship.

A man (Richard Roxburgh) the Australian government blames for 1990s political woes blames his mother (Judy Davis), a communist Stalin seduced in 1951.

Everyone loves Babyface and everyone loves to hate the Heel. However, feelings are not so clear inside the wrestling ring. As the final showdown unfolds our two favourite personas must grapple with their feelings in an attempt to rewrite their own storyline.

A satirical take on a modern day Ned Kelly who is forced to Hollywood in order to make enough money to save his family's land. As it goes against his belief, he cannot simply rob banks for his own benefit (all money goes to the poor). Ned is forced to find another way to come up with the $1 million required to save his family island.

In a post-apocalyptic world, a group of children move from one uncertain world to another in their quest for sanctuary.

A very clumsy man and his UFO-obsessed girlfriend discover a plan made by his boss to market eggs laced with nicotine.

Two hybrid characters become fixated by an idea. As they talk to each other they become more and more obsessed with the idea, but the more they talk the less capable they are of translating their ideas into action. Witty, wicked and kinky in concept innovative in use of animation. Prequel to the short film Crust.

Four unsuspecting victims are hurled into a twisted and altered reality: ... a young woman tries to flee a hit-and-run with destiny... an ex-ballroom champion hides a mysterious secret from the past in his bedroom... a routine job for a hitman takes an unusual turn... and a woman finds herself trapped in a train station with a bizarre railway clerk. All four soon discover that their preconceived notions of reality couldn't be further from the truth.

Stories of the bizarre and the supernatural, as introduced by Bryan Brown. Sometimes serious, often comical, but always with a twist at the end of the story.

Good News Weekend, a ten-week special, focussed more strongly on popular culture than the news and frequently featured musical guests and stand-up performers. The shows were broadcast live, with the exception of a few prerecorded sketches. From Wikipedia.

The Big Gig was a popular Australian TV comedy series from 1989-92 originally named Tuesday Night Live and based on the British TV series Saturday Live. It was broadcast by the ABC and was produced and directed by Ted Robinson, who started his career as the director of the second series of the acclaimed The Aunty Jack Show in the early 1970s and Neil Wilson who has worked for more than a decade throughout Asia and recently was consultant Producer and Director of Dancing with the Stars in Mumbai, India. Largely based around performers sourced from the thriving Melbourne stand-up comedy scene of that time, the series brought a number of new comedy acts to national prominence and made major stars of its host, stand-up comedian Wendy Harmer, who later became a top-rating host on morning radio in Sydney in the 1990s, and the regularly featured act, The Doug Anthony All-Stars.