Bimal Roy

A traumatized and blind young man makes a living singing, and searching for his childhood sweetheart.

The postmaster of a village receives a check for 500,000 rupees, for the purpose of bequeathing it to the village’s most upstanding citizen.

A wealthy young man (Rajendra Kumar) is forced by his traditional parents to end his relationship with a girl of lower social standing (Mala Sinha). The heartbroken girl never reveals to her lover that she's pregnant with his child, whom she raises on her own. Years later, father and son (Rishi Kapoor) meet when the son finds a job working for a company that his father owns -- but will the two discover the truth about each other's identities?

After falling for a cunning landlord’s scheme, a farmer (Balraj Sahni) and his young son (Ratan Kumar) travel to Calcutta in search of work to save money and reclaim their ancestral land.

Chanderbabu (Nazir Hussain), a retired postmaster, lives in the village with his wife and two sons, Rajan (Paul Mahendra) and Bhanu (Bharat Bhushan). He continues to live there and work for the Zamindar, while his children are getting their education. Rajan is studying for his law exam. He is married to a girl (Padma) from a wealthy family whose haughty ways alarm and frightens him. Bhanu, the younger brother is fun-loving but studious. He gets influenced by the Nationalist Movement in the campus and stops his education in the last year of college. His father is disappointed and feels that Rajan is the one they can depend upon in their old age. Bhanu meets Meena (Shyama), and the two fall in love. Meera's father, Ramnarayan, is the school Principal and is impressed by Bhanu. He decides to get Meera married to Bhanu.

Nilambhar Chakravorty belongs to a poor family, and lives in a joint family with his married brother, Pitambar, unmarried sister, Punnu, and wife, Biraj. Since his sister is of marriageable age, he arranges her marriage, and borrows some money. When Pitambar comes to know about this, he refuses to share any expense in his sister's marriage, and decides to separate, resulting in a fence being put up between their homes. Nilambher, unable to find employment, is unable to pay back the loan, and soon both he and his wife barely have enough to live on. To complicate matters further, Deodhar, a wealthy young contractor has his eye on Biraj's beauty and would like to be intimate with her, in return for money and a better life.

Childhood sweethearts grow up in a small village with a love-hate relationship which changes to love when they mature.

Arun begins hating Kavita when he loses his scholarship due to a misunderstanding with her. But after his new fiancé asks Kavita to write Arun letters on her behalf, Kavita falls in love with him. An accident intertwines their futures.

In 1930s British-ruled Bengal, a prison-doctor falls in love with a convicted murderer with past connections to a freedom fighter.

A joint family consisting of four brothers, their wives, and their respective children, living under one roof. Some of the brothers are professionls, one a lawyer, a doctor, and others businessmen. They are a happy family, living and sharing each other's joys and sorrows. Then one day, an arguement breaks out over a glass of milk, and the entire family is thrown into chaos, and the only resolution seems to be nothing but dividing the entire property amongst the brothers and their respective families.

Sibling rivalry abounds in this film about two privileged brothers, Anwar and Nawab, and the women who come between them. Nawab, although a married man and father, engages in frequent secret rendezvous with his mistress, Benazir. Meanwhile, Anwar declares his love for a woman named Shahida, whom he desires to wed. So when Nawab witnesses Anwar in the arms of the lovely Benazir, he's outraged -- and puzzled -- by the brotherly betrayal.

In ancient Rome, a mourning Jewish man raises the kidnapped daughter of Roman royalty as his own - and she grows up without learning her true identity. Years later, she falls in love with a Roman prince.

An orphan adopted by an upper caste family never learns of her untouchable caste background. This proves problematic when years later, she falls in love with an upper caste man.

Nandu lives in a small town with his widowed mom, Paro. He is friendly with two young girls, Farida and Kamli. He is depressed when Kamli's dad becomes ill and she and her mom re-locate to Ambala. Years later, Farida and Nandu have grown up and continue to be friends. Then they get the news that Kamli's dad has passed away, and they are to return back. Initially they do not recognize each other, but when they do, both fall in love and want to marry. When Paro goes to meet with Kamli's maternal uncle, she is shunned, humiliated because they are poor and Nandu is unemployed, & considered a trouble-maker.

Anup loses his job writing speeches for a wealthy industrialist and decides to focus on finishing his novel. But when his former boss steals Anup’s unpublished book, he throws himself into socialist politics.

In Calcutta at the turn of the century, two families (one wealthier than the other but both belonging to the same caste) live in adjoining properties. Their respective patriarchs fall out over the repayment of a loan and the intervention of a member of a lower caste in the families' financial arrangements. The rift causes much heartache to the younger members of the families, two of whom have secretly plighted their troth to each other.

Two men take shelter in a derelict mansion situated in the countryside during a storm. One of the men suddenly becomes aware that he once visited this mansion in a past life; he recounts a story about when he was Anand, a painter, who fell in love with a tribal girl named Madhumati.

The comic, tragic and heartrending saga of Ratan Kumar Chaudhary, who leaves his village, aging mom and seriously ill sister, to obtain employment in Calcutta, only to end up in a tiny tenement apartment full of other unemployed youths.

A lyrical Indian documentary tracing the life and teachings of Gautama Buddha. Directed by Rajbans Khanna and produced by Bimal Roy, the film blends narration with evocative imagery of India’s landscapes, art, and archaeological sites to reflect the Buddha’s search for wisdom and peace. Premiering in Paris, it went on to earn a Special Mention at the 1957 Cannes Film Festival, where its spiritual depth and visual poetry were widely praised.

The poor but educated Mahim and his childhood friend, the rich but conservative Suresh, both fall in love with the same woman, the liberated Achala. Mahim marries her and they move to a village but she cannot forget Suresh. Her smoldering unhappiness takes the form of resentment towards the orphaned Mrinal, raised by Mahim's father, and receives a dramatic visual embodiment when their house burns down. Mahim falls ill, is rescued by Suresh, and nursed back to health by Achala. On a train (a metaphor for the irreversibly linear course of life) to a health resort where Mahim is supposed to convalesce, Suresh on a rainswept night gives in to temptation and elopes with Achala. At the end of the film, there is a dubious reconciliation as Achala is shown following Mahim's 'good' traditionalism with Sharatchandra's barely concealed hostility towards Achala's liberated Brahmo Samaj upbringing.

Devdas, the son of a zamindar, and Parvati, his neighbour's daughter, are childhood sweethearts. However, class and caste differences prevent their marriage. Devdas is sent off to Calcutta, while Paro is married off to an aged rich widower. In Calcutta, as remorse drives him to alcohol, Devdas meets Chandramukhi, a tawaif.

A young lawyer is involved with a ghostly woman in his new house, where the builder and his fiancée died shortly after it was built.

A wife rejected by her in-laws following her abduction is given shelter by the husband's friend. The storyline follows the wife's ambivalent feelings for her savior when she's accepted back into the family.

A modern reformist professor helps a courtesan in her endeavour to achieve high academic level and respectability. They face open opposition and hostility by society but do not relent.