Annie Girardot

Erika Kohut, a sexually repressed piano teacher living with her domineering mother, meets a young man who starts romantically pursuing her.

When Lise's car bumps Antoine's bike, they recognize each other from a brief fling 20 years before while at the Sorbonne. He's now a professor of Greek; she's loathe to tell him she's a police inspector. A call interrupts their first dinner date: a Deputy of the National Assembly has been murdered. She has a suspect, another Deputy, and must track him while deflecting Antoine's eye from her vocation. All roads in the inquiry lead to Christine Vallier, the dead Deputy's mistress, a beguiling 22-year-old whose mother ran the Assembly's snack bar. When more deputies die and Antoine learns Lise's identity, she must act quickly solve the crime and save her future.

Sister Agnès runs away from her convent in Brittany and seeks refuge in Paris with prostitute Mona Lisa. With absolutely no qualifications, the young novice has a hard job finding work, so Mona Lisa tries to teach her the ropes of the oldest profession of them all!

When a impoverished widow’s family moves to the big city, two of her five sons become romantic rivals with deadly results.

As the host of a literary TV show, Georges begins receiving anonymously filmed videos of his family alongside cryptic, disturbing drawings, but as the tapes become increasingly intimate, they reveal a stalker who has known him for a very long time.

Laure is a 40-year-old psychologist who doesn't know her son, Jean. But the latter comes back to Paris and finds a brand new woman when he sees his mother.

Two thieves, Hugo Sennart and Yan Kuq, wanted by the same police inspector, cross paths by chance.

We thought we'd seen, read, and heard everything there was to see about the Cannes Film Festival, from the glitz and gossip to the scandals and censorship. And yet, Emmanuel Barnault's "Morceaux de Cannes" (Pieces of Cannes), by this leading expert on Italian and French cinema, convinces us otherwise. The third largest event in the world (after the Olympic Games and the FIFA World Cup) reveals its secrets only sparingly, as this film attests. The result of passionate research in the INA archives, these 52 minutes, without interviews or voice-over narration, string together rare and sometimes previously unseen footage. Taken together, they tell a surprising, original, and heartwarming story of the Festival. On the beach, on a street corner, in a restaurant, or in the privacy of a hotel room, these forgotten archives summon the greatest filmmakers, actors, and actresses of the last seventy years, from Jean Cocteau to David Lynch, for an anthology of the Festival's history.