Demet Akbağ

The film is set in a world where traditional gender roles between women and men are reversed. Bitirim Leyla and Sarı Leman are the tough, street-smart women of their neighborhood. While Leman works in a factory, Leyla makes a living through small-time scams on the streets. Leyla cheats on her husband with a young man from the neighborhood, while Leman spends her time with male prostitutes. However, the lifestyle they lead eventually draws both women into crime.

Aydın is a hotel owner and a retired actor in rural Turkey. As winter emerges he begins navigating the conflicts within the relationships with his wife, sister and existence.

Meet Vartanus who has devoted her life to her bedridden father; Goncagul who realizes that her Mafioso lover will never marry her. Gulnur who's resigned herself to daily beatings as long as her husband doesn't touch the kids, Tulay who's shattered every time her mother gets beaten; hairdresser Fusun who tends to see things on the bright side. These are the women who transport Eylem, each other and perhaps every woman in the country to Last Stop: Kurtulus. The heroines adopt one unwavering principle: to oppose all forms of violence! A dark comedy that's rose-tinted, provocative and fantastic...

A documentary about the shooting session of the film "Winter Sleep" by Nuri Bilge Ceylan. 'Winter Sleep' had been shot in about 14 weeks in Cappadocia region of Anatolia.

Yeliz leads a happy life with her brother Ahmet, who she is very fond of. But Ahmet Deniz falls in love, and he makes her a marriage proposal, Yeliz's world collapsed. They think, "oh, I get them well apart, as I also did it with all his previous girlfriends." Yeliz begins to make plans with her group of girlfriends to drive the two apart. On the one hand Yeliz, on the other hand, Ahmet Deniz, who tries to protect Deniz against the snares of his sister, without leaving marks Deniz. There awaits all sorts of comic adventures ...

A meatball seller gets into trouble so flees Istanbul to find a new life on a beautiful island.

A widowed housewife returns to college to complete her studies and embarks on a journey that gives her life new meaning.

Hüseyin is a young man who lives with his grandfather and grandmother in a village in Thracian Turkey. The two great loves of his life are his clarinet and Müjgan, a nurse. Although Hüseyin is content with his life, with his music and dreams of Mügan, due to an unexpected development he leaves his village. He ends up in Istanbul where he finds support first in his clarinet and then in the friendship of the singer Firuzan. Firuzan is a popular nightclub performer who is eagerly working on an album as she leads a colorful but complicated life. When Firuzan meets Huseyin, the course of events gives away to a hilarious adventure.

The story takes place in the small town of Hakkari in Turkey at the beginning of the '70s. The time has come to bring technology to that small town. The first Television (called Visiontele by the citizens) arrives and the chaos begins.

After the coup d'état on September 12, 1980, a husband and wife wanted for political crimes decide to flee abroad. But their children are the biggest obstacle to this plan. Before fleeing abroad, they search for a safe place to leave their children. The couple finally chooses Mehtap Anne's home as the "safest place" for their children. The place where they left their children is actually the "Emanetçi Anne" house, where Mehtap, a former prostitute, takes in the children of other prostitutes who continue to work in the trade after she has left it... Some time after the couple flees abroad, they send an Italian girl to Turkey to retrieve their children. The Italian girl, who wants to take the child left with the "Emanetçi Anne" and bring it to its parents, finds herself caught up in a series of interesting events.

The life of a young computer systems analyst is thrown into turmoil after arriving in Istanbul to start a new job. She soon finds her passport missing, her credit cards useless, her bank account empty and her identity stolen. As the story progresses we find people and events may not be what they seem.

Sıtkı, the head of the four-member Mutlu family, is a man known for his stinginess. His wife Türkan is tired of her life and complains about her husband's indifference to the family. The couple, who have not been on vacation for years, rent a caravan after their therapist's persuasion. As the couple sets off toward Antalya, they encounter some mishaps along the way. Their car breaks down, forcing them to head to Yavaşlar Village. The urban couple, now guests of the villagers, realize there are things they can teach the villagers. This partnership will not only bridge the two cultures but also support a just cause.

“Anlatacaklarım var! Vaaz vermek değil niyetim, duyduğumu söylemek. Söylemeye değer şeyler duyuyorum zira. Belki hayatı daha yaşanır kılmak için ya da belki sade, ama sade anlatmak için... Sen anlat dedi Tanrı bana, anlaşılsın diye değil, hiçbir mükafat istemeden anlat... Çünkü bir mükafattır artık bir anlatıcıya doğru düzgün anlaşılmak! Sen anlat dedi... Sen sade anlat! Umudu hatırlatsın diye umutsuzluğu, çareye yol açsın diye çaresizliği anlat... Ders verme dedi kimseye, çünkü hoca denmez öğrenmesini bitirene. Çırakları olan bir çıraktır usta, olsa olsa... Sen anlat dedi bana Tanrı, sen sade anlat.... “ Yılmaz Erdoğan, “Bana Bir Şeyhler Oluyor” oyununun kahramanı Hilmi Duran’a söylettiği bu sözlerle, yazar olarak neden böyle bir oyun yazmak zorunda kaldığını açıklamakla kalmıyor, aynı zamanda kahramanının da kimliğini ele veriyor.

Xate is an ordinary woman from Midyat with eight children in tow. The only thing that sets her apart is her husband's job as Mayor of Midyat. Until, that is, an extraordinary day changes her life - and the lives of everyone else in Midyat. For the illiterate, uneducated Xate becomes Mayor of Midyat! While she takes on her mayoral duties much as she does those in her house, the infantile rivalry between her children in municipal matters leads to adventures that have the Midyat folk howling with laughter.

Guner Sernikli is a government official who, with his wife and their wheelchair bound daughter, has been assigned as the head librarian to this isolated province, virtually an exile since there is no library in the village. The family is warmly welcome, but these are the years of political anarchy and leftist/rightist clashes in big cities and the youth of the village inevitably follow the tides. They arrive in Vizontele, just as the situation is becoming really absurd. Guner brings wisdom; his daughter Tuba brings beauty, innocence and love. Some like the Mayor, Nazmi Dogan and crazy Emin appreciate these things but they are in the minority and confusion continues to reign. The story is based on the memories of writer-director Yılmaz Erdoğan of the last summer of his childhood in Hakkâri, Turkey in 1980.

A resilient housewife, her husband and their marriage therapist become mired in a toxic love triangle and a plot to obtain an antique manuscript.

A struggling, suicidal young comedian meets a car thief who is willing to teach him a few things about his profession.

Ali is a journalist who conducts unsubstantiated interviews. While taking photographs for a story about aliens, he comes across a flying saucer. Out of it comes Homoti from the planet Homon. Homoti does not want Ali to report on him because he does not want to be recognized in the world. However, when journalists soon learn of his existence, they compete for the news. Homoti will have to use her special powers.

Professor Niyazi Gül is an animal-loving veterinarian who possesses the unique ability to speak with animals. Living a quiet life in İzmir while developing a secret formula with his assistant, Hediye, his world is turned upside down when Sultan and Rıza drag him into a chaotic horse racing scheme.

Written by Yılmaz Erdoğan and first staged at the Beşiktaş Cultural Center (BKM) in 1995, Otogargara ran for four seasons to sold-out audiences. The play was also performed 468 times in many provinces and districts of Anatolia between 1995 and 1999, in addition to Ankara and İzmir. During its run at BKM, Otogargara was directed by Turgay Kantürk and featured Yılmaz Erdoğan, Demet Akbağ, Sinan Bengier, Olgun Şimşek, Zerrin Sümer, Erdoğan Dikmen, Gürdal Tosun, Evrim Solmaz, and Serhat Özcan, along with 22 other actors and dancers. It was the first play produced by BKM.

Seven years before the first film, Xate, still living in her husband Aziz Veysel’s shadow, is about to become the region’s first female mayor when a routine morning send-off for Aziz turns explosive, reigniting the fierce rivalry between Xate and the power-hungry Faruk. Their conflict escalates further when there’s an unexpected call for snap elections.

Yılmaz Erdoğan's lauded stage play traces the life of wunderkind Gülseren as she navigates social and political change.

It follows a woman in an abusive marriage who sends her son to Istanbul for care. The son goes missing, and after three years, she meets him again, but he now goes by a different name.

Perihan, her daughter Berna, and their family live together comfortably. Ferda, Perihan's famous daughter, runs a beloved hair salon. Ferda blames her troubles on her mother's abandonment. Berna is married with three children. Ferda has an affair with Berna's husband, causing a tragic event. Duru, Perihan's granddaughter studying in the US, arrives for the funeral. Ferda surprises the family by calling Perihan "mother," revealing a secret. This leads to a war between mother and daughter, affecting their neighbors Ipek and Aras.

The satiric adventures of a Turkish family in the metropolitan city of Istanbul.

The people of northern side of Turkey, struggles the greedy imperialist force to not to give-in the land they grow up with some interior entanglement.. In their stubborn way...