Marie Glory

18-year-old orphan Juliette's unbridled appetite for pleasure shakes up all of St Tropez; her sweet but naïve husband Michel endures beatings, insults, and mambo in his futile attempts to tame her wild ways.

Paolo Anselmi is a happily single man. He lives in a flat with a friend but is forced to leave when the friend gets married. He then goes to a boarding house where he flirts with a girl but ditches her when she proposes marriage. When he goes and visits his mother he finds out that she is also trying to find the right girl for him. Is he going to surrender this time?

Andre Noblet, a 21-year-old French artist falls madly in love with Christine, the mother of two children. He tells Chistine he will tell all to her husband and demand her freedom. Christine learns that her husband has been carrying on a romance of his own and they have a meeting.

On this beautiful May 1st, Thérèse is about to give birth. Their presence at home is undesirable, so Jean, her husband, decides to take François, their little boy, to a soccer match. Their plans change when they meet a former factory mate who seems to have made a success of his life. This man, Blanchot, decides to return to Jean a sum of money he had once borrowed. Trusted, Jean is drawn into a clandestine circle, where his apparent luck delivers him without ulterior motive to Blanchot, who is one of the ringleaders. The police interrupt the dangerous game, putting Jean, who has no identity papers, in an awkward situation.

Adapted from the novel L'Argent by Émile Zola, the film portrays the world of banking and the stock market in Paris in the 1920s.

Young sailor Edmond Dantès is wrongfully imprisoned, escapes, finds treasure, and reinvents himself as the wealthy Count of Monte Cristo to exact revenge on those who betrayed him.

We thought we'd seen, read, and heard everything there was to see about the Cannes Film Festival, from the glitz and gossip to the scandals and censorship. And yet, Emmanuel Barnault's "Morceaux de Cannes" (Pieces of Cannes), by this leading expert on Italian and French cinema, convinces us otherwise. The third largest event in the world (after the Olympic Games and the FIFA World Cup) reveals its secrets only sparingly, as this film attests. The result of passionate research in the INA archives, these 52 minutes, without interviews or voice-over narration, string together rare and sometimes previously unseen footage. Taken together, they tell a surprising, original, and heartwarming story of the Festival. On the beach, on a street corner, in a restaurant, or in the privacy of a hotel room, these forgotten archives summon the greatest filmmakers, actors, and actresses of the last seventy years, from Jean Cocteau to David Lynch, for an anthology of the Festival's history.