Pierre Joassin

Mathieu Grégoire is an esteemed author who lives in Spa with his wife and daughter and leads a carefully structured life. One day, while out in the desolate landscape of the High Fens he meets a mysterious woman whom he calls 'Belle'. An obsessive passion is kindled in Mathieu and in a short space of time he loses all control over his existence.

Three years after the wedding husband Richard starts to set up his wife, the teacher Marion, with his love and jealousy. He wants to have a baby too. Her best friend and the head of the school only see the nice husband. Antoine, the fiend's brother, is the only one believing her. Everyone else starts to believe that Marion is getting insane is about to become a mental case. Marion moves out, but it's not over. Richards terrorizes her and even starts to get violent. Her only solution is to move to Antoine but that doesn't make it only worse ...

The love story between a withdrawn and taciturn teenager and a lonely woman of 20 years older. An endearing painting of an awakening to sensuality, against the backdrop of everyday life of the small provincials: Fernand, fifteen the age of stealthy glances, lies and infinite dreams is a solitary, observant, different boy from other teenagers of his age while being so close to them. Locked in his room, he collects pictures of beautiful naked actresses to drown his boredom. His desire will come true in the presence of Catherine, a rich and mysteriously lonely woman next door. As a worker's son, withdrawn and taciturn, will discover a world that is new to him. He watches, spies, observes the comings and goings of the body of hers who, in certain circumstances ignores him. Through their encounters and helping jealousy, this almost filial love will turn into an irresistible physical attraction.

Jean-Noël Tavernier is a big-hearted guy, a former professional driver with a love for powerful cars, determined to reconnect with his lifelong passion thanks to a 600-horsepower Porsche he rented through a classified ad, unaware of the mess he was getting himself into. He also has a big heart, torn between his daughter Emmanuelle and her teenage moods, his supermodel mistress Cléo, and a grumpy wife who hires an overzealous private detective to follow him.

Hélène Noris, a young Belgian woman from a bourgeois family, is haunted by a past affair with Tamara — now married to her father. Torn between desire and resentment toward Tamara’s conformist life, Hélène feels alienated in the provincial world she inhabits. To boost his social image, her stepfather René invites Parisian director Jean Gerfaud to stage an avant-garde version of Tartuffe. Tamara flirts with him, but Hélène seduces him first. A passionate, destructive affair begins, entangling love, jealousy, and ambition. When the play’s scandalous premiere sparks outrage, Jean marries Hélène, provoking Tamara’s fury. Yet Hélène, restless and defiant, betrays him with a soldier. In rage and humiliation, Jean confronts her in the “red room,” the space that once embodied their love and now their ruin.

Cheated on and fired from her job, Lucille leaves her suburb and moves to Paris with little hope of finding anything better. Shortly after arriving, she saves a desperate man from drowning. Pierre is also cheated on, but in terms of work, he is better off than Lucille: co-president of a large company, he lives in a luxurious apartment overlooking the Seine. To thank his benefactor, he offers her a place to stay for the night... This situation suits Lucille just fine, and she decides to stick around. Pierre is not at all pleased, as he finds the young woman to be a disaster, with manners that are too "common" for his taste, and who never misses an opportunity to put her foot in her mouth... The beginning of a turbulent and conflictual relationship. Will love conquer social differences?