Hans Stiebner

When a significant quantity of valuable gemstones is to be transported to South America by plane, those responsible are naturally extremely nervous. Everything must be perfectly planned, every possible risk averted.

Russia, 1917. Revolution is in the air. The Sevastopol anchors In Saint Petersburg. The sailors are thirsty for women and celebration. The ship becomes a dancehall. Bloodbath, pillage and kidnapping follows. A Nazi/Germany propaganda film.

Celia Lövengaart was formerly involved with the theatre and was able to live a carefree life. But now she's in financial difficulties. The court appointed trustee grants her enough money for a trip to Tirol, where she's going to visit her daughter Susanne, who was raised by her grandparents. Susanne is supposed to marry Richard, whom she can't stand and her mother tolerates him even less. Celia wants to help her daughter, but that's easier said than done: Richard knows about her lively past and is blackmailing her to keep her nose out of his affairs. If she doesn't agree to this wedding, he'll tell everything the consul Hoyermann, Susanme's guardian, and there will be a big stink.

Sergeant Hans Albers, the terror of Chicago gangsters, is transferred South of the border to deal with bandidos.

The delightful Johann Strauss comic opera Die Fledermaus was mercilessly lampooned in this truly bizarre production. For starters, a framing device has been added: After appearing in 300 consecutive appearances of Fledermaus (which translates as The Bat) the lead tenor (Georg Alexander) imagines that he's seeing bats everywhere. Driven a bit over the edge by all this, he falls asleep and has a nightmare about the opera, with a group of non-singers cast in the leading roles. The original libretto about romantic assignations, political imprisonments and mistaken identity is burlesqued to the hilt: at one point, the hero finds out that his prison cell is surrounded by rubber tubes!

Successful playwright goes undercover to get new material and finds romance.

Peter Korff isn't a famous actor yet, but he is young, handsome, adventurous – and once again hopelessly in love. The object of his affection is named Erika and works as a model at the fashion salon "Yvette." Although the pretty young woman claims to be just as in love with Peter as he is with her, she's always up for a little fling behind his back.

Séraphine and her mother arrive in Paris to visit the 1867 World Exhibition. In an overcrowded city they must be accommodated in separate hotels. During the night the mother, who wasn't feeling very well, gets suddenly worse. When next morning Séraphine goes to meet her every trace of her presence has disappeared and everybody denies having ever met her. The bewildered young woman must find someone who believes her. Previous version of So Long at the Fair (1950).

On a train's way to the Italian Alps, the jewelry of a wealthy young widow is stolen and a military veteran working as a waiter is the first to come under suspicion.

Walter Gruber once belonged to a group of unscrupulous, money-grubbing poachers. Now released from prison, he is determined never to touch a gun again. He was imprisoned for poaching, but they couldn't prove he fired the shot that wounded forester Kuhnert. Upon his return home, Walter is horrified to discover that his former lover, Kuhnert's daughter Grete, has since married someone else. Grete still loves Walter, with whom she was pregnant. But her father would have made life a living hell for her and the child had she not married another man. This man, Robert Thiele, is still poaching and is extremely ruthless in his methods. Robert eventually blackmails Walter into rejoining the poachers. When the gang shoots the old forester Kuhnert, Robert shifts suspicion onto Walter.

Biopic about the Rothschilds, a Jewish family whose members rose to the top of the European banking community during the Napoleonic era.

When Bartos, the director of the Odeon variety theater, cancels an artist at short notice, he hires the Terrys out of necessity, whose parents were successful variety artists, but who had not yet received an engagement themselves. Both are supported by Tobs, a friend of their parents. While blonde Mara Terry arrives punctually for the first rehearsal, her dark-haired sister Kora is late like a diva and acts aloof and snippy. At their first performance together the next day, Kora is overtired from partying the night before. During a dangerous act in which she has to balance her upside-down sister on her head, she becomes careless...

Heinz Rühmann plays the "model husband" who, when his bored wife threatens to leave him, embarks on an adventurous night.

The moral is simple: keep your mouth shut, especially when you're working during the wartime in a factory, which produces racing cars only, or someone can (or even must) get murdered. Not a good movie, not a bad either. The ending is abrupt and artificial, which seems to be a common plague of Third Reich's crime movies. Gustav Fröhlich could never get rid of his silent era mannerisms and overacting. But on the other side, this film is not boring and has to offer some decent plot turns and acting.

French teacher Annette Müller has two ardent admirers who are constantly urging her to marry: diplomat Klaus and engineer Theo. But she can't make up her mind. Then a third one joins them, the pianist Hans. Sometimes she dreams of Klaus, sometimes of Theo. And although she is angry that Hans has taken up residence in her boarding house, she can't stop herself from dreaming about him too. When she asks him, of all people, which of the other two she should marry, there is a big row between them - and she realizes who the right man is.

The daydreaming tailor Wenzel is fired from his job, because the fancy frock he was supposed to cut for the mayor, he instead made for himself. He is allowed, however, to take the frock, which he appropriated for himself and he puts it on as he leaves the shop. A puppeteer picks him up in his coach and addresses Wenzel as "Count". So is he received in Goldach, where people think he is Count Stroganoff, the ambassador to the Czar of Russia.

Three soldiers on very short home leave visit Berlin. One isn't from there and runs around with his guide book being perplexed by all the things that are different now. Another visits his wife and his baby. The third enters a romance due to a mistaken identity.

A grieving husband tries to uncover the truth behind his wife's suicide, leading him to discover a tragic tale of infidelity and redemption.

Jule (Heidemarie Hatheyer), a 25 year old women is not having an easy life. Her cousin Stefan Rüdiger (Albert Matterstock) has left "manor Jobshagen" as an 18 year old and Jule has had to manage business since then. Her uncle, Stefan's father, never could get over the leaving of his son and isolated himself from the world. Jule, once a blithe youngster, became a tough woman by the time. And there are heavy debts on the manor Jobshagen, 6000 Marks. The innkeeper Meyer could give Jule the money, but he wants a big part of the estates of manor Jobshagen for exchange and that is the last thing that Jule would accept.

The likeable and carefree Grand Duke of Abacco is in dire straits. There is no money left to service the State’s debt; the main creditor is looking forward to expropriating the entire Duchy. The marriage with Olga, Grand Duchess of Russia, would solve everything, but a crucial letter of hers about the engagement has been stolen. Besides, a bunch of revolutionaries and a dubious businessman have other plans regarding the Grand Duke. With the intrusion of adventurer Philipp Collins into the Grand Duke’s affairs, a series of frantic chases, plots and counter-plots begins…

Mr. Rossi and Mr. Capelli, co-owners of a successful traveling circus, have a rivalry over the affections of the lovely Dolores. That's all settled after Rossi is mauled to death by a lion. Years later a series of accidents, attacks and mysterious deaths plague the circus.

It can hardly be said that things are peaceful in the Berlin apartment building where the film's story takes place. There are constant clashes between the residents – and sometimes that's quite literal: for example, when the widow Bock hid some explosives among the bricks, which detonated when the building's thieving doorman lit them in his stove.

Soon after World War II, a pregnant Polish refugee, Pauline, wanders Berlin looking for the boyfriend who abandoned her. She has no option but to sell her child to another woman, Anna. After the birth, Pauline decides she wants the baby back.