Henryk Bąk

Told in flashback as Mieszko lies feverish in his bed just before the Battle of Cedynia, Gniazdo recounts how the revered leader extended Poland's borders, formed an alliance with Emperor Otto I, and ultimately strengthened his country's autonomy by achieving victory during that crucial battle in the year 972.

A young poet is hired to boost the morale of water pump workers.

The screenplay is based on an authentic story of a robbery of a branch of the National Bank of Poland in Wolow. The thing took place in 1962, 12 million zlotys were stolen. For some time the perpetrators remained at large. Soon, however, the police came across their trail and the criminals were soon captured. And then the real bomb went off. It turned out that the thieves were not people listed in the police annals or even in contact with the criminal world. All the robbers had a reputation as "respectable citizens", by no means suffering from a lack of cash.

Study of a man obsessively seeking revenge.

To convince the prison warden against releasing him, a middle-aged Polish man recounts his life, one he considers to have been characterized by exceptionally bad luck.

Jacenty is nearing the end of his days. However, he wants to go on his own terms, bargaining until the very end.

Tells two tales set during WWII: A seemingly feckless and selfish man finally takes up arms in the national struggle against the Nazis. Set in a POW camp, Polish inmates cling to their hopes for an eventual escape, encouraged by the legendary escape of one of their own.

Originally, Munk intended Eroica to be a triptych with Con bravura being the first part, but he ultimately gave up on this film, deeming it weaker artistically than the two counterparts. Con bravura is about conspiracy conflating the paths of a rather unconventional nun and an intrigued young man – each of them bears secrets and the encounter could incite a flaming romance, though one suffocated by war.Munk set the film in the mountain capital of Zakopane and its vicinity, allowing breathtaking views from a cable car and using his experiences of the Nazi occupation in the area to add gritty reality. The director plays a cameo as a priest with several of his industry friends also making appearances.