Achero Mañas

Marco Vallez (Antonio Banderas) is possessed by the beauty of a circus sharp shooter, and from the second they meet he is willing to give up everything to be with her. But one horrifying night sends them both down a road of revenge leaving behind a trail of bodies to the ultimate showdown with justice.

El Bola is a 12-year-old boy raised in a violent and sordid environment. Embarrassed by his family life, he avoids becoming close to classmates. The arrival of a new boy at school changes his attitude towards his classmates and friendship.

Leo is immediately set adrift by his new found responsibilities as a single parent, a feeling that is made doubly distressing when Dafne, herself understandably confused and heartbroken by her mother's absence, asks for an "artificial" mother to help her fall asleep at night. It is here that Mañas takes the road less traveled, but to write any more about the plot line he introduces would be unfair to both the viewer and filmmaker alike. Suffice it to say that Leo's actions are both surprising and potentially dangerous, as they require Leo to subsume his own identity to the point where he nearly loses it.

Enrique is a gym teacher who along with his sister want to start a musical career with the support of their grandfather, a great scientist who wants to stop an evil despot from getting an artifact that would endanger the entire world.

An air-hostess is pregnant but she does not know the name of the father, a foreigner. When the baby is born, she gives it to her sister that has already two children. The child grows up as another member of the family. Although the adults keep the secret, the children know that he is different.

Barbara, a journalist in the beginning of the 20th century, searches in the border between Portugal and Galicia a bandit called El Argentino. In her travel she meets two men that say that they belong to his gang.

Legend has it that, a long time ago in Galicia (Spain), witches were transformed into hornets to harm men and change the destiny of their lives.

Impelled by a spirit which still preserves a patina of idealism, Alfredo arrives to Madrid with the intention to create "a performance that is free, straight from the heart, capable of making people feel alive". His concept of what acting should be begins beyond the stage, out in the streets face to face with the public. Outdoors, in any town square, in a park or in the city's most commercial street, Alfredo and his troupe November start the show; demons to provoke passers-by, displays of social conscience, actions taken to the extreme to put the forces of law and order on full alert. There are no limits, no censorship; only ideas which are always valid so long as the public ceases to be the public and becomes part of the show swept by surprise, fear, tears or laughter. Theater as life, life as theater… there is no longer any difference.

A group of children tells to the camera how they torture various animals, such as lizards, cats or mice. One of them tells how last summer, after attacking a cat with his friends, he saw something that made him reflect on what they did.

Ernesto learns that his mother has passed and yet worse that they plan to bury her in a graveyard. Determined to fulfill his late mum's wishes, he plans to steal the coffin.

Seville 1913. Juan is a weak-looking boy who has grown up in a marginal environment. But it transforms when at night it challenges bulls in fences. Calderón, an old bullfighter, looks at him, in his rare ways, in his passionate attitude, and guided by a strange obsession introduces Juan into the way of being a bullfighter. In a short time, Belmonte becomes a hero in his land, but his great challenge will be to face Joselito in the most important square: Madrid. Biographical film around one of the most emblematic bullfighters, Juan Belmonte.

A young man recounts the various paradises he has experienced throughout his life: altered states of being with substances; glue, hashish, LSD and heroin.