Hans Henninger

This 1936 film tells the story of the doings of foreign agents in Germany and their allies among the German population. Having placed an ad in a local paper looking for "contact with bigwigs in German industry", enemy agents Morris and Geyer end up making contact with an engineer named Brockau. Brockau has developed an improvement in turning oil into gasoline and that's just what these enemy agents are looking for. Brockau, for his part, needs money, because his girlfriend is a selfish cow who demands more and more toys and trinkets, which has put our naive little nerd deep into debt. Brockau, however, is not the only unwitting maroon to fall into the clutches of the evil agents: the former bank agent Hans Klemm, now doing his service in the Wehrmacht, ends up being contacted by an agent from the other side and ends up getting blackmailed into working for them.

Story of a rendezvous in Paris which is prepared through telephone calls between a Berlin telephonist and his female colleague in Paris.

On the eve of the Russian Revolution, a performance of "Tosca" is taking place at the opera house. The artists and staff are too engrossed in their work to notice the unrest in the streets. The leading roles are played by Marina Marta and René Areno, who are also lovers. However, Marina has another admirer in Captain Alexander von Harbin. When, during the final performance, the insurgent communists suddenly storm the opera house, Alexander seems to be Marina's last hope…

The young Styrian woman Therese Brandl desperately wants to work in the theater and therefore travels by train to Vienna to pursue artistic training. The scholarship granted by the elderly Countess Hoyer is intended to guarantee her financial independence. Unaware that she is to be picked up from the Vienna train station, the student immediately takes a taxi upon arrival and asks for recommendations for both an affordable hotel and a charming little pub. Therese gets approached by an older gentleman, a gray-haired bon vivant with considerable life experience. After several glasses of wine, they leave the establishment together and go to Therese's room. Apparently, things escalate there, and they spend the night together without having been introduced. The surprise is all the greater for Therese when she goes to the drama academy the following day to begin her training: her future teacher is none other than the gallant and lover from the previous night, Dr. Alexander Dahlen.

The wintry mountainscapes of Bavaria provide the backdrop for this airy German comedy. The story is set in motion when young clerk Boenecke (Richard Romanowsky) accidentally delivers a check to the wrong bank. Boenecke's boss Schumann (Walter Steinbeck) suspects the clerk of embezzlement -- especially since our hero has taken off on an extended Alpine vacation with his sweetheart Hilde (Magda Schneider). Before this comic chain reaction can be straightened out, hero and heroine have become entangled with a gang of female pickpockets. Essentially a "moonlight and strudel" confection, Winterachtstraum was perfect escapist entertainment for Magda Schneider's legions of fans.

The student Hans Kessler is suspected of having murdered the banker Hergotin, who has been found dead in his hotel in Zurich. When a search is launched for an unknown woman, who was seen in the hotel at the time of the murder, Hans suddenly confesses to the deed. The prosecution is headed by Schweda and Hans is sentenced to fifteen years in prison. Only afterwards does Regine, Hans' sister, find out about the events. She is convinced that her brother is innocent and is covering for the actual murderer.

In a theme reminiscent of the classic Greek comedy Lysistrata by Aristophanes, wives and sweethearts in a Bavarian village agree to withhold sex from their men, as long as the men keep spending time with a new waitress at the inn.

Princess Christine is impelled to be married, and expected to perform at the next Schönbrunn festival. But she takes a break and goes to Vienna instead, where she finds herself sharing a carriage with a young stranger.