Truus van Aalten

Also known as Darling of the Gods, this was Emil Jannings' second talkie appearance. Jannings stars as famed operatic singer Albert Winkelmann, who is greeted with cheers, applause and romantic propositions whenever he performs in his native Vienna. But when he embarks on a tour of South America, tragedy strikes. The sweltering climate causes Winkelmann to lose his voice on stage, a disaster met with hoots and cat-calls. Dispirited he returns to Europe, where he soon learns that no one is aware of what happened in South America. Intending to retire so as not to be exposed to further humiliation, Winkelmann is goaded back on stage -- where, miraculously, his gorgeous voice returns.

Susanne Braun is keen to meet her father who she has never seen, but who supports her financially. She visits the Berlin lawyer who oversees the monthly maintenance payments, but he sets her on completely the wrong track. Consequently she encounters several potential fathers.

When grocers's son Daantje Pieters is drafted, he falls for a girl in a blue hat he spots aboard the train to the garrison. At the barracks in The Hague, crafty conman Toontje takes Daantje under his wing. Toontje decides to help him look for his dream girl, but draws the line at them planning an engagement — for such things are not for soldiers.

Jule (Heidemarie Hatheyer), a 25 year old women is not having an easy life. Her cousin Stefan Rüdiger (Albert Matterstock) has left "manor Jobshagen" as an 18 year old and Jule has had to manage business since then. Her uncle, Stefan's father, never could get over the leaving of his son and isolated himself from the world. Jule, once a blithe youngster, became a tough woman by the time. And there are heavy debts on the manor Jobshagen, 6000 Marks. The innkeeper Meyer could give Jule the money, but he wants a big part of the estates of manor Jobshagen for exchange and that is the last thing that Jule would accept.

Rural comedy about a farmer's fiancée who becomes distracted by a handsome young officer staying with them in 1910s Germany.

A zoologist has housed a wide variety of animals in his apartment and keeps himself busy with them. A pretty young secretary is at his side. Only the young man in the apartment next door is not so keen on the noise and solves the problem by breaking through the dividing wall.

Felix Bressart, later one of the most delightful members of the Ernst Lubitsch "stock company," plays the title character in the Austrian comedy Hirsekorn Greift Ein (Hirsekorn Does Something About It). It's a typical worm-turns affair, as a mild-mannered provincial actor ends up working as a chauffeur for a scatterbrained female novelist. Slapstick is the order of the day, except in the scenes involving heroine Charlotte Susa. Guiding the actors through their paces was Rudolf Bernauer, a stage actor-manager of vast experience. Critics in 1931 felt that Hirsekorn Greift Ein was too thin to be stretched to 90 minutes.

When a henpecked beauty salon owner goes out for one final, wild night of revelry with his friends, the stag party spirals completely out of control into a chaotic tavern brawl. He wakes up with a massive hangover and a bump on his head, only to discover that his missing engraved lighter has been left at a crime scene, implicating him in the assault of a police officer. Terrified of both the law and his domineering wife, the innocent business owner goes into hiding in the rough part of town, sparking a classic, fast-paced silent film comedy of errors.

"The Secret Power" - Hardly anyone who strays into the emigrant's restaurant "Strange Bird" would suspect that the porter once was a general, the waiter a prince and the cook an admiral, and that the lady at the bar is actually the princess Sinaide forced was leaving their home.

Adaptation of a popular comedy: When the country uncle he has been bilking comes to town to visit, a young student takes him to a boarding house full of exaggerated eccentric characters.

First of several filmed versions of a popular period operetta, in which an early 18th century noblewoman in Poland falls in love with a revolutionary student activist.

In the Ruritanian kingdom of Leuchtenstein, the old ruler has just died. His subjects are a bunch of intrigants, and his only real friend was the Baroness Windegg (Olga Tschechowa), a kind-hearted, witty, and very attractive woman, who however was not much loved by the Leuchtenstein upper class. And as these are only interested in getting better positions and other wealths after His Excellency's death, the baroness invents the story that the old ruler wrote his memoirs before his death, containing a lot of intimate, delicate and potentially embarrassing details about the Leuchtenstein dignitaries. Unsurprisingly, everyone is afraid about the details to be revealed. Only the successor to the throne, Prince Ernst Albrecht (Willy Fritsch) sees through the baroness' scheme, and as he is a lusty young man, he joins in her prank.