Mario Mazza

Italy, 1916. Oreste Jacovacci and Giovanni Busacca are called, as all the Italian youths, to serve the army in the WWI. They both try in every way to avoid serving the army.

Depictions of the Emperor Nero and the Great Fire of Rome (64). Anachronisms are used for comedy, such as Nero telephoning the fire brigade.

A number of different segments taken from 19th century Italian stories.

In the kingdom of Kindaor, traitor Sedesmondo kills his brother, the King of Kindaor, and becomes the tyrant of kingdom. He abandons the prince Arminio to beasts in the woods, but lions don't kill him and breed him as one of them.

Esterina, a young war orphan, joins two truck drivers, Gino and Piero, on their trips along Northern Italy. She wants to find her luck in the big city, but her dreams turn into disappointing experiences. She falls in love with Gino but he is not interested in her, until she disappears...

On seaside holiday, Nero, Poppea, Seneca and their friends and family prepare a great show where Nero will star. When his mother Agrippina arrives with her German praetorians and decides Nero has to conquer Britain, she's asking for trouble. Many attempts of murder and poisoning will happen on the eve of his great show.

Papal aspirant "Cardinal Lamberti" has to tread a fine line between the powerful Duke of Montimar and doing the right thing by a young couple in love in late 1730s Bologna.

Gina is the daughter of a provincial newsstand dealer and spends her time reading pulp magazines and dreaming of a glamorous vocation on the big city. She enters a beauty contest in a nearby city, without her father's permission, and, en route, meets Franco, a salesman.

Everything unfolds in Naples seventeenth century, when a mysterious masked swordsman who calls Salvador Rossa becomes champion of the needy and lonely struggle against the cruel tyrant that frightens the country.

In a village, the pharmacist and the innkeeper have an intense rivalry fuelled by the fact that they were once romantically involved many years before. To spite her rival, the innkeeper arranges to have her nephew set up a second pharmacy to take business away him. Unbeknownst to them a romance is developing between the younger generation of the families.

Liana, an architecture graduate, is about to get married until she is confronted with the fact she is sacrificing the rest of her life for a man she barely knows. So begins a series of romantic encounters in which Liana tries to find her freedom and happiness, but which will ultimately lead her to a tragic fate.

Caravaggio, il pittore maledetto is a 1941 Italian historical drama film directed by Goffredo Alessandrini and starring Amedeo Nazzari, Clara Calamai and Lamberto Picasso. Nazzari portrays the painter Caravaggio as a wayward genius. It was one of his favourite screen roles.

A Sicilian professor who moves to Rome gets lost in the maze of Roman ministries and gives in to corruption.

A disguised thief talks himself into a countryside class fight immediately after WWII.

The historic clock of a small town needs to be repaired but there is no money in the town coffers to pay for it. Don Paolo (Peppino Spadaro), the Priest, raises the money by lottery and thinks the surplus should go to the poor. The Communists and Socialists object because they are afraid the priest will get the credit and they claim it as "the people's money." The democratic mayor (Arturo Brogaglia) can think of no solution other than organizing committees and sub-committees. Finally, Rocchetti (Paola Stoppi), the town mechanic who has no answers for town problems and hates the clergy and politicians alike, comes forward and repairs the clock for the sheer joy of work.

During the Spanish occupation of Naples, the people led by Tommaso Aniello - known as "Masaniello" - plot against the Viceroy. The Viceroy's son, under another name, has a son from Masaniello's sister, but his father has already planned a marriage for him with a Spanish patrician against his wishes.

Italian film from 1937 directed by Gennaro Righelli.

In the eighteenth-century Rome, Don Pasquale Corneto, wants his young nephew Ernesto, dedicated to a wasteful social life, to marry a rich spinster, both to save on the expenses of his maintenance and to increase the family heritage.