Alpay İzer

This is the story of the politician named Zübük. He gets expelled from the political party that he is a member of, due to corruption. The journalist Yaşar wants to make a news story about his case and investigates Zübük's doings. Yaşar gets baffled at the sly tricks Zübük played on his village people. In the end, he feels sorry about Zübük's present situation, however, as things happen he becomes aware that Zübük has been tricking him.

The film deals with the migration from the village to the city with a realistic narrative. The immigration phenomenon described in workers' hands in a factory refers to both the modernization process in the period and the unionization. Hacer emigrates to Istanbul with his father, two children and his wife. Her husband left her and she was a helpless. Hacer was influenced by the union of the working factory, who owns the crippled friends. Hacer thought very much about to traditions versus modernization. It is the last of the film of director Ömer Lütfi Akad's Bridal-Wedding-Recoup trilogy. And it is still the inaccessible film of Turkish cinema history with its movie theme, cast, and acting success.

The film tells the things that pass by the head of a gallant gallery. Ali, who is a giver, is always out of his mind for being tired of his wife's whims. He spends some of his time with Sevda, the husband's firefighter. During a plane trip, Ali meets a guy named Alpay and tells all about his life. Alpay Ali's peasant daughter Mine recommends, Ali Mine teaches all things. Ali Mine does not like it at first, but then slowly falls in love.

The story of a guard who revolts because of exploiting reeve and tradespeople. People start to think he has an uncle working in the ministry of the interior.

This is one of the tragicomic films of Kemal Sunal who is most "serious-comic" artist of the Turkish cinema. This film also reflects socio-economic and cultural life of the 70's-80's Turkiye. The film obviously talk to Turkish audience but who wonder that era of Turkiye can taste of it. The film underlines of love, friendship and -richness in the poorness- and also is a story about the people who prefers love, instead of money and fortune. The theme and narration may include some populist elements -like most Kemal Sunal films- but generally tells its story as well. The story is familiar to Turkish audience: A young man loves young girl. In most Turkish love films one of the partners is rich or poor according to the other but in this movie both sides are poor and they have many difficulties to reach happy end. In my opinion, these kind of movies always gives hope to people to get over it.

A robber who carries out a bank robbery is sought everywhere, and the thief seeks shelter in Cevriye's house, seeking help from her. In time, a relationship will arise between the two that rebelled against all life and identities.

The story follows Cemile, who comes to Istanbul to buy a motorboat. Cemile is a fisher woman who lives with her grandfather. Her grandfather, Salih, also runs a tavern. Cemile’s greatest dream is to buy a motorboat. She has been saving money for this purpose. Knowing that it’s impossible to buy a motorboat through fishing alone, Salih sells the tavern and gives the money to Cemile. He sends her to Istanbul to buy the motorboat. However, things Cemile never imagined will happen to her in Istanbul.

The film tells the story of two chemists who get into trouble because of an aphrodisiac perfume. Hasan, the king of nightclubs, enters the cosmetics industry by purchasing a failing company called Kozmetik Cemal. The factory surpasses its competitors thanks to a powerful ointment it produces. Orhan and Ali, who work at the Losyon Necip company, are on a quest to discover aphrodisiac scents. This would make it possible to compete with Kozmetik Cemal. However, neither Orhan nor Ali succeeds. Soon, what they were searching for comes to light: Orhan observes that a perfume he purchased during a journey has a seductive effect on women. However, as the perfume's reputation spreads, the mafia becomes involved.

Selma goes to a school where she’s a new teacher. The school is full of very goodhearted but naughty kids, leading one being Sezercik.

The film tells the story of Melike and Cafer, whose lives intersect by chance. Melike has lost her father, and Cafer has lost his mother. The two meet at the cemetery. Melike works at her father's newspaper. Cafer is a locksmith at a safe manufacturing plant. Melike's uncle Bekir plans to transfer all of her father's inheritance into his own name. Murat, who works at the newspaper, notices this situation. However, to obtain the sales documents, he must open Bekir's safe. Melike thinks that Cafer might be able to open the safe. Cafer, who has gotten into all sorts of trouble because of his honesty and straightforwardness, will get himself into trouble with this job as well.