Alexander Pushkin

Filmed at the 1992 Glyndebourne Festival in Lewes, England, this production won unanimous critical acclaim for its innovative interpretation of Tchaikovsky's opera "Pique Dame" ("Queen of Spades"). Although sung in Russian, the production features English sopranos Felicity Palmer as the old countess and Nancy Gustafson as Lisa. Russian tenors Dimitri Kharitonov, Sergei Leiferkus and Yuri Marusin co-star.

A virtuous and passionate girl falls in love with a cynical but a dashing aristocrat.

This wonderful story happened in the age of valiant knights, beautiful princesses, and battling sorcerers. Ruslan, a wandering artist dreaming to become a knight, met beautiful Mila and fell in love with her; he didn’t even suspect that she is the King’s daughter. However, the lovers’ happiness wasn’t meant to last too long. Chernomor, the evil sorcerer, appeared in a magic vortex and stole Mila right before Ruslan’s eyes to transform her power of love into his own magic power. Without further ado, Ruslan sets out on a chase after the stolen princess to overcome all obstacles and to prove that real love is stronger than magic.

Film version of the Rimsky Korsakov opera from the Pushkin story. Motsart i Salyeri (Mozart and Salieri), based on a legend that Salieri poisoned Mozart, meditates on the nature of creativity while introducing, in brilliantly compressed speeches, what was to be one of the important Russian themes—metaphysical rebellion against God.

An adaptation of Pushkin's historical novel about the Pugachev's Rebellion in 1773–1774.

Pique Dame (or "The Queen of Spades") inspired by Alexander Pushkin, set to a music by Tchaikovsky; Passacaglia (or "Passacaille") set to a music by Anton Webern: two Roland Petit masterpieces brought together on one memorable evening at the Bolshoi Theater of Moscow. Recorded live, 19th of May 2005.

There are elements of Macbeth in this political fable, in which the ghost of the child that Boris has had killed in order to seize the throne appears as an impostor. Adapting Pushkin's epic poem, Mussorgsky composed a meditation on the solitude of power, a populist drama in which the real protagonist is the Russian people with its burden of eternal suffering. Ivo Van Hove is no stranger to grand political frescos. This is his first production for the Paris Opera.

One dark winter evening, the young tsar Saltan was lucky enough to find himself a tsarina from a simple Russian family. He was so impressed by the speech of the young charmer that he married her the same evening, and took her two sisters with him to the palace as servants. However, the treacherous girls do not share the happiness of their luckier sister and begin to plot. Saltan leaves for a long military campaign, during which the young queen gives birth to his son. The evil sisters write a dispatch to the tsar, where they brazenly lie about the child: they say, the queen gave birth to someone unknown, "neither a son nor a daughter." Saltan is upset, but orders to wait until his return. The sisters substitute the letter, and as a result, the girl and her son are sealed in a wooden barrel and thrown into the ocean in the best sadistic traditions.

The history of the gypsy Aleko who couldn't forgive the betrayal of his wife.

The second part of a trilogy of films based on Pushkin's drawings, poems and letters.

In the midst of the wedding party of Prince Ruslan and Ludmila, daughter of Prince Vladimir, the girl is kidnapped by the evil sorcerer Chernomor and the witch Naina. Three of her past suitors set out, as does Ruslan, to rescue Ludmila.

Nobleman Boris Godunov accumulates power in Russia, first as regent, then as tsar. But the ghosts of the past catch up with him and he ends up losing not only his power but his sanity. Russia sinks ever deeper into a mire of corruption, intrigue and coups. In his grand choral opera, Modest Mussorgsky deals with a theme that offers poignant parallels to today’s world: the extremes to which one man’s thirst for power can lead. The director Kirill Serebrennikov incorporates his own experiences in Russia to present his take on an opera about political turmoil and its consequences. Serebrennikov’s production focuses on the effect on the people of high-stakes political scheming. Conductor Vasily Petrenko makes his Amsterdam debut leading the Royal Concertgebouw Orchestra. A top-flight cast is led bass-baritone Tomasz Konieczny, celebrated for his ability to get into the skin of his characters both vocally and dramatically, singing the title role for the first time.

Stephen Wadsworth’s production of Mussorgsky’s epic masterpiece brilliantly captures the suffering and ambition of the Russian people at a critical time in their nation’s history. René Pape is riveting as the Tsar of the title, giving a commanding and charismatic performance of one of the greatest bass roles in the repertoire—his Boris is dominating, tortured, flawed and utterly unforgettable. The extraordinary cast and the Met Orchestra and Chorus are led by Russian maestro Valery Gergiev, the foremost Mussorgsky interpreter of our time.

After the tale by Alexander Sergeevich Pushkin. Graduation performance, developed into a film. Filming took place in the Pushkin museum.

Vladimir Dubrouvsky, a lieutenant in the Russian army, catches the eye of Czarina Catherine II. He spurns her advances and flees, and she puts out a warrant for his arrest, dead or alive. Vladimir learns that his father's lands have been taken by the evil Kyrilla Troekouroff, and his father dies. He dons a black mask, and becomes the outlaw The Black Eagle. He enters the Troekouroff household disguised as a French instructor for Kyrilla's daughter Mascha. He is after vengeance, but instead falls in love with Mascha.

This is the Andrei Tarkovsky production of the famous Pushkin/Mussorgsky opera, performed in 1990. Modest Mussorgsky's opera in prologue and four acts is performed by the Kirov Opera with performances from Olga Borodina, Alexei Steblianko and Sergei Leiferkust. Boris Godunov has obtained the throne of Russia by murdering the rightful heir Dmitry. An old monk, Pimen, witnessed this, and convinces his apprentice Grigory to avenge Dmitry's death. In the following years Grigory poses as Dmitry, raising an army against Boris, who is now convinced that he is being punished for the murder. Filmed in Russia during the collapse of the Soviet Union, this particular production of Mussorgsky's 1872 tale of political upheaval is considered a highly unique and historical moment in opera. Robert Lloyd stars in the title role of Boris Godunov.

A musical fairytale based on the poem "The Tale of the Dead Princess" by Alexander Pushkin.

Evgeniy Onegin lives in grand style: balls, receptions, theater premieres and other frivolities the capital can offer a young man. But social life has long tired him, so he perceives the news of the illness of his uncle living in the village as an opportunity to escape. However, having reached the estate, Onegin learns about the death of a relative, which, however, does not upset Evgeniy too much. His financial affairs are very sad, and his uncle is rich and has no other heirs. Onegin locks himself in the estate, living in aimless solitude until the owner, who has returned from abroad, appears at the neighboring estate – a young, enthusiastic Vladimir Lenskiy, not yet satiated with life, who introduces Evgeniy to sisters Tatyana and Olga Larin.

A czarist captain stops at nothing to learn the secrets of a countess rumored to have sold her soul to the devil in order to always win at cards.

In the early 19th century a seventeen-year-old girl falls in love with a young officer and, despite her parents’ disapproval, decides to elope with him and beg their forgiveness once the deed is done. Based on the Pushkin short story.

Laila is an innocent Lappish girl and the only daughter of a reindeer herder. During World War II, Laila rescues a crashed German fighter pilot, Hans, and the two develop warm feelings for each other during his convalescence. Years later, after the war, Hans returns to Lapland as a freelance photographer and manages to lure Laila to run away with him to the capital, Helsinki, to start a career as a photo model, much to the chagrin of her traditional father, Aslak. After initial happiness, however, Hans abandons Laila, and the decadent lifestyle of a big city sends her life into a downward spiral.

Based on Alexander Pushkin’s dramatic verse novel "Eugen Onegin", the ballet tells the tragic love story of the world-weary aristocrat Onegin and the naïve country girl Tatiana. John Cranko’s Onegin holds a special place in the choreographic repertoire of the second half of the 20th century as one of the few original full-length ballets.

A young and fiercely independent woman, Carmen, is forced to flee her home in the Mexican desert following the brutal murder of her mother. She survives an illegal border crossing into the US, only to be confronted by a lawless volunteer border guard. When the border guard and his patrol partner Aidan become embroiled in a deadly standoff, the pair is forced to escape together.

Theatre 625 is a British television drama anthology series, produced by the BBC and transmitted on BBC2 from 1964 to 1968. It was one of the first regular programmes in the line-up of the channel, and the title referred to its production and transmission being in the higher-definition 625-line format, which only BBC2 used at the time.

Folio, a precursor to CBC's renowned fine-arts series Festival, aired for four years starting in 1956. The series showcased original dramas, music compositions, and ballets, many originating from diverse regions across Canada. Notable episodes featured Barry Morse in a new staging of MacBeth, along with performances by Canadian talents like Robert Goulet and Sharon Acker. One of the highlights included a musical adaptation of the beloved Canadian classic, Anne of Green Gables. Airing without sponsorship, Folio thrived until its conclusion in the fall of 1960. Producers: Robert Allen, Harvey Hart, David Greene, Mario Prizek and Ronald Weyman.

Red Iron Road is an animated horror anthology series, based on the works of famous European authors. Each of the episodes are between 10-20 minutes, produced with different creative partners in unique visual styles to suit each story.

Horror legend Christopher Lee hosts this anthology in the tradition of Alfred Hitchcock Presents, each half-hour episode adapting a story from a classic author, with tales by Edgar Allen Poe, Fyodor Dostoevsky, Ambrose Bierce, Robert Louis Stevenson, and Oscar Wilde.

How far can a man overcome by a destructive passion go? And does he realize that slavish worship of irrepressible desires always entails retribution?

Italian miniseries based upon the novel by Alexander Pushkin.