Raymond Friedgen

This 1919 silent is the first American film based on the same Sholem Aleichem stories as Fiddler on the Roof, but produced 50 years before the blockbuster musical. Unlike most adaptations of Aleichem’s work, Broken Barriers (Khavah) focuses not on Tevye the milkman, but on his daughter Khavah, who falls in love with the gentile boy Fedka and must navigate the reverberations from this with both her community and her family.

Jennie is a twelve-year-old girl living with her parents in extremely rural mountain country. Her schoolteacher, Miss Carol, though a mountain girl herself, has gone off to be educated and returned in hopes of stopping the tradition of child marriage which permeates the culture. Jennie's father Ira is a good man who tries to protect Miss Carol from the men who threaten her if she doesn't call off her crusade. One of these men, Jake Bolby, has his eye on little Jennie and plots to make her his bride.

An American businessman travels to Hong Kong to find out why his tea plantation isn't making money. When he gets there he discovers that his business partner has been growing something on the plantation, but it isn't tea. Complications ensue.

The owner of a silver mine, having repeatedly been the victim of the Silver Bandit, sends his clerk Spade Cooley who can neither ride nor fight west to investigate. The Sheriff has been unable to catch the bandit but when Spade finds him he will have to both ride and fight to bring him in.

Captain Wallace Casewell Jr., chief of police of Panama City, Florida, is the star of Killers of the Sea. Appointing himself protector of all Gulf of Mexico gamefish, Capt. Casewell makes it his mission to round up illegal fishing boats and to stave off such natural predators as sharks, whales and octopi. This may well be the only American film in which a school of dolphins are depicted as "the enemy." Beyond its rather ludicrous continuity, the film offers several spectacular underwater scenes, as Casewell battles invading sea life with knife and harpoon. This 49-minute documentary was narrated by Lowell Thomas.