Mara Manzan

The adventures of Pedro, a musician who is trying his luck in Rio de Janeiro, in the 1950's. He leaves his hometown Belo Horizonte to share a lodging with his brother Carlos in Rio. During one of his gigs, he meets Arlete, a singer in a vocal group and fall in love.

Three children are caught in school with an erotic book. His parents are called by the leadership to discuss the problem. During the meeting, comes to surface the love and sexual problems of these three couples; such as lack of desire, betrayal, love, passion, insecurity and provocations.

Is it possible that in a world ruled by appearance, there is room for loyalty, ethics, true love, honesty and solidarity? Is it possible, today, when unrelenting consumption is a way of life, to find someone who equates more value to being rather than having? Cobras & Lagartos is an urban tragic comedy, modern and humanist, that deals with two increasingly different worlds: one which values loyalty and solidarity and the other, where the seduction of superfluity and the power of money reign.

A story about people who succeed in life thanks to nothing but their own efforts. Maria do Carmo is the main character of the telenovela; a mother of five who struggle to be successful in life, but whose most important will be recovering the love of her daughter who was kidnapped when she was just months old.

Human cloning. The Islamic world. Two young people, two different cultures, two different beliefs. An impossible love story that not even time could erase. During a trip to Morocco, Lucas has a forbidden romance with Jade. He returns to Brazil after the death of his twin brother Diogo. A close family friend, scientist Albieri uses this situation to produce the first human clone using cells taken from Lucas. Twenty years later, Jade, Lucas and his clone form an odd love triangle.

The daughter of a traditional, rich Indian family falls in love for a Dalit, and "untouchable" man.

Twin sisters with contrasting personalities, Ruth and Raquel, rival in the fictional Pontal D'Areia, on the coast of Rio de Janeiro.

In the past, as Adalberto Rangel, he met and seduced Maria Paula. With a calculated coldheart, he married her, stole her fortune, then abandoned her, unaware she was pregnant at the time. Ten years later, accompanied by her son Renato, Maria Paula plots to recover her dignity and to find justice by getting revenge against the indignities done to her.

After breaking off her engagement on her wedding day and going directly to a prostitution house, a young model becomes the city's most famous harlot, known as "Hilda Hurricane", in the 50's Brazil. She could do fine if it wasn't for Malthus, a young novice said to be a saint, for whom she falls in love. However, the boy is kept under the strict, severe doctrine of Father Nelson, a conservative priest intolerant even to every minor sin. Things start getting harder when Roberto, Malthus' old friend and a communist reporter (the actual author of the story), tries to interview Hilda and disclosure the real reasons behind her radical change of mind. In the meantime, the middle-classes are terrified by the "leftist threat" in Brazilian politics.

The soap opera's central theme is life after death, inspired by the philosophy of Allan Kardec, the codifier of Spiritism. The character who drives the plot is Alexandre, a delinquent who kills himself in prison after being convicted of robbery followed by homicide and goes on to torment the lives of all those he considers responsible for his tragic fate.

Carlão is an honest but hot-tempered taxi driver who discovers a suitcase containing two million reais in his car, the proceeds of a bank robbery. This is the second version of the telenovela, originally aired in 1975.

The elegant and wealthy Bárbara gives birth to a stillborn child, but never receives the bad news. Her husband, Guilherme, swaps the child's body for that of a baby whose mother is very poor and unable to raise him. Thirty years later, Eugênio, the swapped boy, suffers mercury poisoning, develops leukemia, and needs an urgent bone marrow transplant. But the surgery can only be performed with a donation from a blood relative. Faced with the risk of his son's death, Guilherme tells Bárbara the truth. With everything clarified, the two go in search of Anabel Muñoz, the boy's real mother and the only one who can save his life. Anabel kept her pregnancy a secret, but never forgot the child she had with the unscrupulous Urbano. She is the widow of the Cuban Félix Muñoz and has five other children: Valentim, Remédios, Amparo, Assunção, and Antônio.