Zofia Rysiówna

Helén and Jenö are waiting for a child and are desperately searching for an accomodation. They eventually sign a contract with an old lady, Szeréna, who lives in a two-family house. According to the contract, they are to pay a moderate rent and they have to take care of her until her death. After the first weeks, Szeréna accuses the couple of trying to poison her and builds a chicken coop on the balcony with the aim of living off the eggs she herself gathers.

Faustina is a 1995 Polish film directed by Jerzy Łukaszewicz about Blessed Sister Faustina Kowalska, a saint of the Roman Catholic Church who was canonized by Pope John Paul II in 2000. It is the first feature film of its kind in Poland, and far from the path of modern cinema.

The film takes place in two spaces of time. Modern history tells the story of a passing relationship crisis doctor James with her teacher Maria. During the night shift, Jacob is trying to calm the boy. Experiencing a shock that pushes him into the inner journey in time past, in the regions of childhood, to the genesis of his fears and frustrations. The second story waged simultaneously with the first takes place in the nineteenth century, in a nobleman's manor where Maria takes care of the ailing heiress Elizabeth. Elizabeth's daughter, Zofia, is expecting a baby. — Polish Wikipedia

An adaptation of the 1869 novel ‘The Idiot’ by Fyodor Dostoevsky.

Shortly after World War II an American soldier (Norman) and a Polish refugee (Emilia) fall in love. Eventually he will return to the U.S. and both expect that she will soon follow him with her mother. Emilia's mother is sick, but will recover with the right medicine. But the mother, and not Emilia, knows that there will only be one ticket...

In 19th-century Styria, isolated Laura's quiet life is upended by the arrival of mysterious, beautiful Carmilla, a female vampire with whom she develops an intense, homoerotic bond. As Laura's life slowly drains, themes of forbidden desire, identity, and the supernatural are explored, culminating in Laura's discovery of Carmilla's vampiric nature and a confrontation with her ancient lineage.

This is part one of a two-part biopic about Karl Liebknecht. In 1914, Germany is arming itself for war. Karl Liebknecht, left-wing revolutionary Social Democrat, workers’ leader and a virulent antimilitarist, is one among 110 SPD members of Parliament who vote against approving war loans. From then on, he is considered un-German and a traitor to the fatherland, and his own party’s leadership turns against him. Despite threats, Liebknecht speaks up against the war and writes the manifesto “The Main Enemy Is at Home.” Even when he is arrested and charged with treason, he does not surrender.

A young girl sent to an orphanage run by nuns gets confronted with the cruel and outdated methods used by the staff.