Sigrid Huun

Marianne, a doctor, and Tor, a nurse, avoid relationships. After meeting on a ferry where Tor seeks casual encounters, Marianne explores the possibility of spontaneous intimacy, questioning societal norms.

A black and a white woman meets in Dar es Salam because of their men, and starts a friendship, despite their different background.

One evening, in a remote Norwegian mountain-town, two 12 year old girls meet. For the first time in their lives they are thrown into a strong emotional confrontation. The next day, Unn is unable to meet Siss again. Instead, she ventures alone into the cold, lonely winter landscape.

HIM consists of three separate stories in one film. Harald (11) is a boy who constantly falls outside the group. He is not recognized either by friends, school or parents. Emil (30) is unemployed, he is angry and looks down on everyone else. Petter (60) is a Norwegian renowned scriptwriter who wants to make a film about the national hero Fridtjof Nansen. Two men and one boy, one day in Oslo, whom all experiences a social and emotional fall. The film discusses the male role in the contemporary Norway.

Jon Gabriel is in his mid 20s when he meets 13-year-old Flora. X depicts the evolution of their relationship as they struggle to survive in the cold and dirty cityscapes of Oslo in the '80s.

Norwegian propaganda film and cult drama about Eva (16) and Arne (17), both from well established homes, attend a class where a professor says that cannabis is safer than alcohol. Together with some friends they decide to try the drug. The start of a drug hell for all involved. The film was poorly received by the critics, but it nonetheless became one of the highest-grossing theater films in Norway in 1969.

The late 19th century Christiania (Oslo) could offer a rich variety of entertainment. There were several variety theatres and brothels, and poor women could earn money based on their looks. The beautiful variety actress Lucie has met a lawyer by the name Gerner, a refined gentleman. Flowers and encounters outside the theatre develops into an erotic relationship. Lucie knows how to play on Gerner's jealousy and masculine pride, and finally she reaches her goal: becoming Mrs Gerner. For Lucie this means climbing the social ladder, but she'll soon notice the problems. Living in the upperclass society keeps reminding her of her poor background and her lack of etiquette. All this affects Gerner in a negative way, who is plagued by jealousy regarding people from Lucie's past. The relationship between the married couple keeps getting worse.

Siv works as a prompter for the Norwegian opera. As the rehearsals for Aida starts, she marries a demanding man, Fred, who still has a strong connection to his ex-wife. Starting at her wedding, Siv must repeatedly take a back seat, both to Freds children and their mother. But when she meets a man who shares her passion for music, she starts to question the path her life has taken.