Norbert Kuchinke

Middle-aged university professor desperately tries to strike a balance in his life between his wife and his mistress, slowly getting bogged down in his own lies.

Praised for its fine photography and production design if not its narrative, Sergei Bondarchuk directed this adaptation of the tale by Alexander Pushkin. Boris Godunov came to the Czarist throne at the end of the 16th century, after the original heir to Ivan the Terrible had died. At first, things went well for Godunov (played by Bondarchuk), but when the Russian people began to believe he had killed Ivan the Terrible's son in order to gain the throne, an alliance sprang up against the new Czar. Events continued to spin out of control as a young monk was presented as the son Godunov had supposedly killed. Now he was openly accused of failing an assassination attempt, which seems to be even worse than succeeding. In addition to these woes, Boris Godunov began to suffer serious health problems. So much for the joys of kingship.

A young Russian store clerk has a drab existence in times of shortages and is berated by her ailing mother for not seeing men. So she brings home an unknown young man who she met on the tram. She dreams many things but pines for this man.

Before leaving for the USSR, a West German journalist meets his father, who was in Russia in 1922, where he met, fell in love with and lost forever a Russian translator. Sixty years later, the son follows his father's route...

The film tells about the most significant church holidays and religious rites.