Helena Anýžová

Two teenage girls embark on a series of destructive pranks in which they consume and destroy the world around them.

Valerie, a Czechoslovakian teenager living with her grandmother, is blossoming into womanhood, but that transformation proves secondary to the effects she experiences when she puts on a pair of magic earrings. Now seeing the world around her in a different light, Valerie must endure her sexual awakening while attempting to discern reality from fantasy as she encounters lecherous priest Gracian, a vampire-like stranger and otherworldly carnival folk.

In 1930s Prague, a Czech cremator who firmly believes cremation relieves one from earthly suffering is drawn inexorably to Nazism.

Three loosely-connected tales that represent different aspects of love: temptation, dreams, and adventure.

Juraj, a Slovak artist living in Prague, takes stock in his life, realizing that his days pass without purpose. He lives a carefree life. But now he has to choose between two women, between the city and the country, and between creative work and craftsmanship. He has a passion for art but he also has to make a living. Through his relationships with close people, he grows aware of his position and this knowledge helps him to live a more fulfilling and better life.

In the 1950s, Ludvik Jahn was expelled from the Communist Party and the University by his fellow students, because of a politically incorrect note he sent to his girlfriend. Fifteen years later, he tries to get his revenge by seducing Helena, the wife of one of his accusers.

In the aftermath of war, two men and a woman begin acting more like children than adults, leading to tragedy.

Funny banter about love, sex, social status, and other ideals, while a new railway employee is trained and sent on his first run as driver.

An apocalyptic story of three wars in three film tales encompassing the end of the WWI,WWII, as well as a vision of the world destroyed by nuclear weapons. This film was honored at the film festivals in Venice and Sorrento. Immediately after that the copy with Italian subtitles was locked in a safe as evidence of the anti-communist activities of the director, who used real footage of the Soviet invasion.

Young couple Eva and Jarda Tům face housing shortages just as Eva miraculously gives birth to quintuplets, drawing intense media and state attention. Authorities install them in a high-tech villa monitored by a commission led by Drahoslav Svitáček. As intrusive experiments, constant scrutiny, and malfunctioning gadgets strain their family life, a planned railway project momentarily frees them. Eva conceives again, but when only one baby arrives amid fading public interest, the state and the spotlight move on.