Jan Jakub Kolski

A pair of amiable ex-cons retreat to the country for a fresh start - until a family reunion and a health emergency put them at odds with the law again.

Two intellectuals, a writer and a director, begin to play a mysterious psychological game in a peaceful countryside manor house during the Nazi occupation.

In a small village a couple fails to conceive. One day the man brings home to hide a Jewish woman whose family was murdered.

Set in 1946, the film tells a story of a Polish villager returning home after years in a concentration camp. Mateusz is an old-timer, a saddler, who finds nothing but hostility when he makes it home after years away. He is not a Jew, though the villagers brand him one and give him a hard time. They feel guilty about the death of his son at the end of the war, and don't want the father around. In the background: beginnings of the Communist regime in Poland.

A man returns home after a long time. The house is in a bad shape, ruined with graffiti on walls, but it doesn't stop him from staying in. The man has an aim that requires complex preparations. The house has however already a new inhabitants that start to influence the man's performance and to mingle with silhouettes from the character's recent past, spent at the Central Asia border. Are the war prolonged tension and the man's shattered emotionality possible to overcome, so that he may really re-locate in a peaceful surroundings of his home-village?

The story of a soldier’s parents told from the perspective of their 17-year-old grandson, Janek

A story, warm and full of humor, about Maszenka, an 11-year-old girl from an orphanage in the Bieszczady Mountains who loves ballet. The first stage on her road to fulfilling her dream is the entrance exam to the ballet school in Gdansk. To make it there in time, she escapes from the orphanage, taking newly hired educator Kordula with her. They travel all the way across Poland, hiding from the police and meeting people who help them in need.

The peaceful world of a monastery, in a small town Jasmine, is destroyed by the arrival of monument restorers, Natasha, along with her daughter Eugenia. The legend associated with the monastery bode revelation in him a saint in the near future. Despite initial reluctance, Natasha starts the maintenance of the image stored there. The secrets of the monastery are unraveled: the unhappy lovers bodies placed in the catacombs, the secret elixir of love, created with the smell of the monks.

An atmospheric coming-of-age story featuring an imaginative young boy named Marek who dreams of escaping an increasingly dangerous Poland on the eve of war for beautiful Venice.

In a fairy-tale village lives Jakubek, a former legionnaire. He buried his wife some time ago and now lives with his adult but very shy son Janeczek. Three of Jakubek's comrades-in-arms also live in the same village: Kotek, Ingatko, and Gniewisz. For some time now, the legionnaires have been talking more and more about dying. Jakubek, the oldest of them, already has a beautiful coffin prepared and longs for death because he misses Brzózka, his youthful love, very much.

Afonia's husband is an ex-boxer, an ex-inmate of a Nazi concentration camp and almost ex-living person as he is paralyzed after an accident. Her daughter is already married. And although Afonia's name is Russian, she is Polish. The only thing both heroines share is love to another strong, handsome and addictive man. A Russian man.

On the road wandering minstrel finds a mare, which, upholstered and sickly, is dying. He buries mare and casts a curse in the village where the animal was tortured. In the village lives Jańcio, a philosopher, a man loving life and his young wife, Weronka. Jańcio lives in harmony with God and is not expecting that he will be put to the test by him. He is convinced he has the power to make miracles. He leaves his pregnant wife, and goes to see the world, promising to return before the due date.

In the winter of 1903, a group of characters painted by the master escapes from Jacek Malczewski's paintings.

Among Jan Jakub Kolski’s short films, critics assign special significance to “Ładny dzień / A Nice Day”, which tells the story of two elderly people who spend their time taking care of their old horse.

The action takes place somewhere among fields, meadows, and forests. The protagonists are simple but extraordinary people: Janka, a dwarf; Morka, a monster who escaped from the circus where he was put on public display; Kostucha, straight out of Malczewski's paintings, and finally Lunda, a man who plays the violin and pieces of plates.

Forst is a wealthy, well-organized man. When we meet him, he seems like the king of life. One day he abandons the corporation where he is vice president. The devastation he leaves behind gives no hope of returning. The forest, 4 am a few years later. A semi-feral forest grandfather, overgrown, dirty, in rags, sets snares for animals. We recognize: it's the same man - Forst. He lives in the forest, in a dugout he built himself. For company he has a three-legged dog. He feeds on the meat of hunted game, lives in harmony with nature. One day, thirteen-year-old Jadzia stands in front of the door of his solitude. Forst once again has to change his life....

Pograbek is a village philosopher with an unconventional way of looking at things. He is planning on buying a child since he cannot have one due to his infertility. However, the woman that promised him one has changed her mind, and now the provincial gigolo is trying to make his wife pregnant.

1996 Jan Jakub Kolski short film

The last day in the life of an old man. Women in black pray in front of the chapel, the man comes to the house, shaves thoroughly and goes out into the field.