Jean-Quentin Châtelain

An ad executive impersonates an archeology professor to avoid a situation with an obsessed former lover. She enlists the help of a hapless archeologist who is at the airport to pick the real archeology professor. What follows is a series of conflicting and comical situations involving the "switcheroo."

On her way to visit her childhood home in a colonial outpost in Northern Cameroon, a young French woman recalls her childhood, her memories concentrating on her family's houseboy.

Judith leads a double life between Switzerland and France. On the one hand Abdel, with whom she is raising a little girl, on the other Melvil with whom she has two older boys. Little by little, this fragile balance, made up of lies, secrets and back and forth, cracks dangerously. Trapped, Judith chooses to head forward, at the risk of losing everything.

On February 27, 2009, pupil Benjamin Feller commits a crime which he has meticulously described beforehand in a diary entry. He goes to the post office to send the diary entry to his teacher before he shoots his parents and turns himself in to the police. His teacher Esther Fontanel tries to understand the events in retrospect. But as the journal’s addressee, she is increasingly targeted by the police herself.

Ninon is a spirited hotel-manager who teaches self-defense classes to her terrified eldery neighbors. Daiga, an aspiring Lithuanian actress newly arrived to Paris, becomes fascinated with the life of a mysteriously beautiful drag performer.

In 1919, in a small town under the crushing heat of summer, a war hero is held prisoner in an abandoned barracks. Outside, his mangy dog barks night and day. Not far off in the countryside, an extraordinarily intelligent young woman works the land, waiting and hoping. A judge whose principles have been sorely shaken by the war is coming to sort out this case of which it is better not to speak.

Commissioner Beffrois waits for retirement with mixed enthusiasm when a theft of paintings catches his attention.

Russia, 1870. A group of young anarchist revolutionaries set out to overthrow the Czarist regime through violence. Their attacks create a climate of psychosis and mutual distrust among the population, but in reality, both revolutionaries and repressors are being manipulated by a diabolical individual.

This comedy brings Pierre Richard and Michel Piccoli together onscreen once again. In the story, former professor Henri Toussaint Piccoli has been locked away in a psychiatric ward for some years for trying to strangle his wife when he found her in bed with another man. Now she has a terminal illness, and wants some sort of reconciliation with him. His therapist (Richard) decides to permit him to visit with her, provided he comes along. Except for his wide mood swings and occasional outbursts of lewd muttering, the professor "passes" for sane fairly easily. Not so the psychotic (Dominique Pinon) who stows away in the psychiatrist's car, who constantly calls attention to the other two.

Writer Paul attempts to interview Rosemonde, a young woman who killed an alleged rapist in self-defense six years prior, for a true crime television program. When Rosemonde refuses to divulge details of the events, Paul encourages his actress girlfriend to befriend her, but the three are repeatedly sidetracked from their initial commission.

Paul, a former insurer, is struggling to make ends meet. He agrees to meet Sarrebry, a loan shark introduced to him by his friend Daubelle. Paul mortally knocks out the disgusting crook and steals a large sum of money from him.

Repudiated by her husband Jason, Medea takes cruel revenge on her children.

At 33, Arman has decided to change his life. He starts by running. It’s a good start. Amélie carries on with her life. She runs, as well. The first encounter is a shock. The second is a stab in the heart.

Through the course of several accidents and chance encounters, Hanoch and Ruben will meet and each of them will have to face a page of his personal history, a page that they both need to turn for good.

We follow how four ordinary little girls learn about life, love and all that sort of things.

Independent Parisian doctor Annie finds herself in an emotional tangle when she tries to help single-minded HIV-positive patient Laurent and embarks on a brief affair with conceited actor Richard.

Francois (Pierre-Loup Rajot) has just moved into a small community in the French Pyrenees mountains. He applies for work at a small logging mill, run with great craftsmanship but indifferent business skill by Favier (Guy Marchand), the son-in-law of the owner, Mathieu (Serge Reggiani). Francois has an ally in another man who works at the mill, Cyuri (Wotjek Pszoniak), who had formerly been his mother's lover. With his help, he easily settles into his job. He also quickly becomes the lover of his boss's wife Marie (Julie Jezequel). This leads to complications for all concerned, but as decent people, they find themselves at something of a standoff and are unable to resolve the situation easily.

Political rivals try to sabotage a new mayor and her eccentric plans for an underprivileged French municipality.

A television director decides to use his own life and marriage as an inspiration for his latest project.

A film about the rebellion that took place in the French department of Ariège from 1829 to 1832, and continued in a less intense fashion until 1872.

I saw this happen: Raye left home. Why? To see what was waiting for her out there. Europe! It didn't matter where she went, the Mediterranean coast, Strasbourg, Zurich, Berlin, she's young. Then her father, Abel, left. Perhaps he wanted something else to happen to him. Things began to happen on the ship, but Odessa is where it really began. So Nellie was left there alone. Maybe she couldn't have said it, but that's what she needed. I mean, to be alone with herself. That's why she sent Raye and Abel away. So without moving, with everything around her moving very fast and also in the microscope which is her work, Nellie had her own trip to make. As for this kind of travelling, that's what each of us did. I know, I was there.