Francesco Turbanti

A brilliant and intelligent love comedy that celebrates second chances and new horizons, starring a strong and determined woman who settles the score.

Captured by a ruthless gang of bank robbers, foes Diabolik and Ginko find themselves facing certain death. While Eva Kant and Altea forge an unlikely alliance to rescue their lovers, Diabolik reveals his mysterious past to the Inspector.

Summer 1943, Piedmont, Italy. Milton loves Fulvia who plays with his love: she only likes the depth of his thought and the letters he writes to her. One year later, Milton has joined the Resistance and fights beside other partisans. He learns during a conversation that Fulvia was secretly in love with his best friend Giorgio, a partisan like him. Milton decides to go find Giorgio in the Langhe region of Italy with all its misty hills...But Giorgio has just been arrested by the Fascists.

Here, the steel worker works on a continuous cycle, twenty-four hours a day and never stops. There, by the sea, on the island of Elba there is a paradise and the unreachable dream of happy families. In the middle, on the shores their secret beach, neither here nor there, Anna and Francesca, small but big, "thirteen years old almost fourteen", who are living their last summer of innocence before high school. The film is based on the book by Silvia Avallone.

It’s June 1st, 1970, and Pisa is the epicenter of the movement Lotta Continua. There are rumors of an imminent coup d’état, and the most visible exponents fear being arrested before dawn. One of them is Pino Masi, a singer-songwriter who wrote the hit “La ballata del Pinelli.” He invites two high school students, Renzo Lulli and Fabio Gismondi, to flee Italy with him, and the three set off. A series of misunderstandings ensues, starting with an unnerving encounter with soldiers on their way to Rome for the national holiday the next day.

The Crusades reign supreme. Joachim's habit has become like a second skin. Shrouded in the darkness of the world, his life intertwines with dreamlike experiences and mystical visions. A river of oil unfolds before his eyes. The ascetic receives a divine revelation—prophecies and visions that only his heart can unveil. His final endeavor is humanity's greatest challenge: overcoming the apocalypse. A journey through hope, life beyond life, the values of existence—the search for the divine within every living being—the power of love.

Summer 2008. Three friends have the chance of a lifetime: opening for their favourite punk hardcore band. At the very last moment, the concert falls through but Edo, Iac and Miche don’t give up. To them punk is more than music, it’s a lifestyle. In a blink, they decide to bring the gig to Grosseto, the silent and conservative city where they live. Nevertheless, all the difficulties and problems they face on their way risk to blow up their lives and their friendship.

Simona is a single mother in her early ‘40s who is wholly devoted to her son, Filippo. To get over her insecurities as a parent and make her son happy on his eighth birthday, she decides to throw him a birthday party in their small flat and invite over his school friends and their parents. For Simona, this birthday is about to pose quite the surprising dilemma between allowing her son to embrace his true self and a mother’s fierce desire to protect her child from their potentially cruel surroundings. This is the last conundrum she was expecting to have to face on a day that is already rife with anxiety.

Perennial university student Eva, who is still having difficulties at adjusting to big city life, takes up a job as dog sitter. After visiting the owner, she finds out the dog—Spotty—is actually Matteo, an introverted young man who copes with modern life by dressing up as a giant puppy.

This is the story of 3 friends, destined to lose and find each other over and over again. More importantly, this is the (true) story of a film theatre in Florence, The Universale, which was a cultural landmark in the city between the '60s and the '80s. It was a theater of its own kind, bringing together intellectuals, students, as well as the people from San Frediano, a well-known working-class Quartiere. Such unusual mixture among the cinema-goers also produced a sort of creative chaos, which is explored through the eyes of Tommaso, the projectionist's son.

Coliandro is an inspector serving at the Bologna police headquarters who constantly finds himself embroiled, against his will, in matters bigger than himself. But Coliandro never backs down, even though his carelessness and investigative incompetence inevitably land him in trouble.