Brian Epstein

The Beatles at Shea Stadium is a fifty-minute-long documentary of the Beatles' 1965 concert at Shea Stadium in New York, the highlight of the group's 1965 tour.

The show opens on an image of the Globe Theatre, with Ringo Starr unfurling a flag with the legend "Around The Beatles". The studio setting is arranged as a theater in the round, (hence the show's name) echoing the seating arrangement of the Globe. The opening act is a humorous rendition of the "play within a play", Pyramus and Thisbe (Act V, Scene I) from William Shakespeare's A Midsummer Night's Dream, with Paul McCartney as Pyramus, John Lennon as his lover Thisbe, George Harrison as Moonshine, and Starr as Lion.

Gerry and Fred Marsden, Les McGuire, and Les "Chad" Chadwick portray themselves in a romp through the early-1960s Liverpool Beat Scene. Art students by day and musicians by night, the boys' big break comes by winning a local talent contest. But first, they must retrieve their instruments, which have been mistakenly carried to the airport.

In April 1966, Cilla opened in a 3-week cabaret season at London’s Savoy Hotel. On her final Sunday, she starred in her own television special produced by her manager Brian Epstein’s film company, Subafilms. It was the first colour television show of its kind to be made by an independent producer in Britain. The show was broadcast in the UK in black & white but aired in colour in The Netherlands and the USA. ‘Cilla at the Savoy’ was one of the most watched television specials of the 1960s.

When people are asked to think about the 1960s, they automatically think love, peace and...The Beatles. Over the decade, the Fab Four changed from cheeky pop mop-heads to blissed-out experimentalists, and this transformation mirrored the country as a whole. This five-part documentary series looks at how the world's most famous pop group personified one of the most explosive and volatile decades of the 20th century. Although the 60s generation had it all, a changing political landscape and changing attitudes to sex and relationships were dragging Britain into a new age. By the end of the decade, The Beatles had split up, proving that the band's personalities and their music had become true symbols of an iconic decade.