Hsu Kuei-ying

A Taipei family faces personal and moral uncertainty as everyday events test their relationships and sense of purpose.

When a young, down-on-his-luck director revives a forgotten opera in a crumbling, supposedly haunted theater, he discovers his biggest obstacle isn’t the leaky roof or his ex-girlfriend—it’s the charming, sharp-tongued ghost of a diva actress who died there 20 years ago. As rehearsals spiral into chaos and an exorcist shows up with unfinished karma of his own, ghost and director form an unlikely bond—one filled with comedy, heartache, piano duets, and the wild backstage energy only theater kids and spirits could create. Together, they just might finish the show that was never meant to open—and give each other the final curtain call they’ve been waiting for.

Over the course of a few days, the paths of a group of young friends, lovers, and acquaintances in Taipei intersect, prompting them to arrive at realizations about their lives.

Four love stories by four talented Taiwanese first-time directors – well-known lyrist, Vincent Fang Wenshan; TV host, Huang Zijiao; online novelist, Jiu BaDao; and commercial director, Chen Yixian.

Cheng En, the eldest in his family, is born to be unlucky. When his brother accidentally makes his colleague pregnant, he meets their wedding planner, who apparently is also unlucky.

This film is a mix of documentary and drama, featuring interviews, acted scenes, and imaginative elements. It delves into Taiwan’s fashion scene and way of life, combining the perspectives of designers, workers, and consumers. The movie shows how individuals pursue ideals influenced by media and trends. Through its portrayal of fixations on youth, beauty, and consumerism, it raises the question: do we discover ourselves through fashion or lose our sense of self?