Jiří Weiss

Pavel, a young student living in Prague in 1942, hides a Jewish girl in his apartment building's attic. Amidst the brutality of the occupying German army, love blossoms between the two. He is her only link to the outside world. Then the two are discovered by Pavel's mother, who forces the residents of the apartment building to decide whether Hana can remain.

In a Prague shop, an assistant has been carrying on an affair with the dishonest, married manager. An emotionally repressed auditor with domestic problems of his own uncovers serious stock discrepancies. A test of loyalties and a questioning of values concludes in tragedy.

The revolutionary year of 1848 brought great hopes among the hitherto silent classes, awakening social and national hopes. The response also penetrated the remote countryside, even as far as the Podkrkonoše Mountains. The young shoemaker there began to take an interest in social and political events, and he also experienced disappointment in later developments.

During his work assignment in Tamani Kingdom, Czech worker Lojza saves a local man from dying in the desert. Two years later, it turns out the saved man was also the Taman king; and he has decided to name Lojza, a communist, his royal heir.

Weiss’s classic B&W agitprop short made after his escape to London just ahead of the Nazis. He carried with him three reels of material for his unrealized film ‘Dvacet Let Svobody’ (‘Twenty Years of Freedom’) i.e. 20 years of the existence of independent Czechoslovakia from its 1918 founding to 1938 when the Munich Agreement dissolved it. In English with poetic narration written by C. Day-Lewis (father of Daniel Day-Lewis).

The leader of the emerging organized labor movement in the 1880s, Ladislav Zápotocký-Budečský, is exiled to his native village, where he works as a tailor and continues to raise social awareness among members of the working class.

Screen adaptation of Julius Fucik's story about communist fighters.

Wandering through the forest, a woodcutter finds a golden fern whose seed turns into a beautiful woman - they fall in love. After getting drunk in a village feast, he gets to sign up to the army. The fairy gives him a shirt to wear and asks him to swear he will never abandon it. At the war front, he falls in love with the the colonel's daughter and will have to perform various feats to get her attention.

A film about a boy who is protective of a runaway dog and the dog, who is protective of the boy.

The protagonist (Rudolf Hrusinsky) is a dull, fat, shy government clerk indulging in voyuerism and ego fantasies. In love with another clerk (Kveta Fiolova), he is urged on in his pursuit by a commiserate executive. The story is told in a flashback sequence as the cuckolded Hrusinsky attempts suicide by gassing himself in his bathtub. The "Murder" of the title is not a murder as such, rather the murder that Hrusinsky remembers planning upon discovering his wife's unfaithfulness with his supposed friend and advisor. Both plots failing in his mind, he loses himself in fantastic reveries of his funeral and of hypocritical mourners. ' Deciding (perhaps) that this is not the way out either, he gives up the attempt and imagines a life of reconciliation and eventual affluence.

Czech film tells the story of a border town in World War II. Family members and friends become enemies.

Emil (Vaclav Chalupa as a teen, Ondrej Vetchy as an adult) has been naughty, and his family is at a loss about what to do with him. He's been dallying with the family maid. They decide to ship him off to spend time with his uncle Ernst Michel Piccoli), who married his family maid. The boy has a good relationship with his uncle, and a touching picture of Czech family life just at the advent of World War II emerges. Since Emil and Ernst are both Jewish, they are eventually carted away by the Nazis.

A B&W film poem of the Czech countryside and Weiss’s personal favorite of his early shorts. Mythical images of mountains and streams and rural farmers tilling the land make this a precursor to the mystical visions of the forest in ‘The Golden Fern’. Filmed traveling on horseback through the mountains of Ruthenia (then part of Czecholovakia, now part of Ukraine), shooting the diverse community with Ruthenians (Slavs), Jews and Roma all living in the same area.

“The Carpathians are medieval!” one character bellows, and this tale of the tree-chopper Petro, his faithless wife Marijka, and various scheming businessmen and foremen does little to disprove the assertion. Interestingly filmed with a nonprofessional cast recruited from the region, Faithless Marijka may have a neorealist conceit, but its direction is utterly futuristic, filled with the lightning-fast montage techniques and low-angle camera of the Soviet avant-garde (along with its invigorating agitprop).

A lyrical B&W tone poem of the pre-WWII Czech countryside: athletic young men and women canoeing down the River Lužnice, passing medieval castles and sleepy half-forgotten villages. Silent with music.

In a remote Slovak village in the closing days of World War II, a schoolteacher and his young wife find a wounded Russian parachutist in their front yard just as the Germans are coming in to occupy their village. As his wife readily becomes involved with anti-Nazi partisans, the schoolteacher collaborates with the Germans in fear.

An orphaned young woman named Jana moves into the household of Robert and his older, possessive wife, Klára. While Klára maintains a strict and manipulative control over the home, a mutual attraction develops between Robert and Jana. The three characters continue to live together as their domestic tensions increase.

A comedy about the post-war housing crisis in Prague, which several young people are struggling with. The young puppeteer Josef lives in a sublet with the singer Šimůnek, who is currently missing. After returning from a trip, Josef discovers that a demobilized member of the foreign army, a Slovak woman named Elena, has been given a decree for the apartment. And she does not want a sublet. The couple starts looking for a new sublet, but is unsuccessful due to the housing crisis. However, since the two young people have fallen in love in the meantime, the solution seems obvious...

A dramatised account of Norwegian fishermen outwitting occupational forces during World War II, directed by Jiří Weiss and written by acclaimed author Laurie Lee.

A thirteen-year-old girl whose mother suddenly dies during the birth of her second child is forced to start taking care not only of herself, but also of her father and newborn brother.

The year is 1941 and the German Nazis rule Bohemia with a free hand. Engineer Otakar Racek is an extremely cautious man who tries to avoid problems at all costs. While some of his colleagues are being arrested by the Gestapo, he receives an offer to become the director of a new department. When he refuses to help the wife of an arrested resistance fighter, his wife Vlasta is shaken. However, she loves him, to the point of even resigning herself to the hatred of Otakar's wealthy mother. One day, Vlasta lets her old acquaintance Ondřej Rýdl, who is on the run from the Gestapo, stay at her house for a few days. The wife passes him off to her husband as a distant relative. However, Otakar succumbs to jealousy and, on his mother's advice, hires a private detective to follow Vlasta. However, the detective is also a Gestapo informant and receives a hefty reward for every arrested resistance fighter...

A student commits suicide out of unhappy love to a married man; story is recounted in retrospective by a "judge" who asks the audience to decide who is the guilty party.

The family of Prague greengrocer Pavlas was among the first immigrants to settle in the border village of Severov. Together, the new residents manage to harvest their first harvest on time and successfully - but they will have to uncover a German saboteur posing as the manager of a sawmill...

An attempted theft of a rare antique is uncovered at a castle that houses an apprentice recreation center. The apprentices help uncover the real perpetrators and their accomplices.