Michèle Grellier

Visitors young and old get up to fun antics and romance at a seaside hotel in Brittany, France.

Armand, a boastful womaniser, makes a bet that he can seduce any girl he wants. He soon crosses paths with a beautiful Parisian divorcee, who is nothing like anyone he has ever met before.

After his wife and daughter are raped and killed by a motorbike gang, a man sets out to take revenge.

Young, handsome, dashing but cynical, Octave Mouret arrives in Paris, determined to conquer the belles of the capital.

In 16th-century France, the Chevalier de Pardaillan rescues the beautiful gypsy "Violetta", in reality Isabelle, daughter of the Comte d'Entraigues and prey of his sworn enemy, the Duke Henri de Guise. Pardaillan and Isabelle fall in love, and the valiant chevalier will not rest until the advent of King Henri IV.

"Hangar" is a new agency whose purpose is to carry out missions even too sensitive for the police or intelligence services. The agency must eliminate a German female terrorist by the name of Birgitt Haas. The murder is to be disguised as a crime of passion, so an agent must lure Birgitt into falling in love.

Patrice's good looks have made him a consummate womanizer but they also helped him win the heart of Juliette, the daughter of Blanche Eroli, an influential Parisian clothes designer. The latter doesn't want him as a husband for Juliette and would prefer to see her married to Vincent, her right hand man. To this end she offers Patrice a juicy check if he agrees to leave Juliette. He accepts the deal and leaves for the Riviera, where he discovers love in the person of pretty Caroline. But Juliette, who does not love Vincent, traces Patrice as far as Nice. Soon afterwards her dead body is found lying on her former fiancé's bed...

A group of friends is shaken when the girl falls in love. But the three boys will do anything to stop the romance.

A Hong Kong martial arts movie redubbed by situationist René Viénet. The narrative focuses on a conflict between proletarians and bureaucrats within state capitalism. The proletarians enlist their grasp of dialectics in the fight against their oppressors, while the bureaucrats defend themselves using a combination of co-optation and violence.

Michel Jussieu, a film producer, returns one morning to the cabaret where he forgot his sweater. He discovers the corpse of an extreme right-wing journalist, but immediately he is knocked out. He wakes up in the police station ...

Olivier and Françoise, newlyweds, have Chantal at their service, whose main function is to pretend to be his boss, while she takes care of the housework. But Olivier is suddenly tempted by an extramarital affair with a young Italian woman, Frédérique. Pretending a business trip, he sends his wife and maid to their respective mothers, intending to bring Frédérique to his home...

Philippe Lambert, an attractive young attaché to the Prime Minister's office, is a man of many female conquests. One of them, Madame Grandbourg, wife of a very influential man, sent him a passionate letter, which he lost at the theater. Marion, the usherette who found it, contacts him to ask him for a "favor" in exchange for its return: to avoid eviction from the family apartment, because of the father, who gardens in every room and constantly floods the downstairs neighbors. At first, Lambert refuses to give in to the "blackmail" and calls in the police to unmask the indelicate woman, but love soon gets in the way...

A young man, Lagardère, discovers that a plot is afoot to assassinate the Duke of Nevers. He warns him and flees with his daughter, Aurore. Fifteen years pass. Lagardère has raised Aurore as his own, but her mother seeks her out and has her abducted by her men. With the help of two friends, Lagardère rescues the girl and confronts her kidnappers.

M. Jourdain is a cloth merchant who wants to become a gentleman, learning dance, music, fencing and philosophy. Mme Jourdain is worried about Dorante's expenses and prefers her daughter Lucile to marry Cléonte. The two young men's servants use subterfuge to get M. Jourdain to accept Cléonte as son-in-law. They fake the arrival of the Grand Turk's son in Paris, and, in an Oriental ballet, confer upon M. Jourdain the title of Mammamouchi, his daughter marrying the son of the Grand Turk, who is none other than Cléonte in disguise.

Dieudonné, poet and dreamer, is the opposite of his father, the famous D'Artagnan, as he hates walks and duels.

It's the day of Figaro's marriage to Susanna, but first he must help the Countess divert the Count's attention away from Susanna and back to her, while arranging the betrothal of Cherubino and Barbarina.

This devil of a man plunges the viewer into the very heart of the Voltaire whirlwind, that incandescent mind who shook his century. The series follows his meteoric rise, his exiles, his battles and flashes of genius, in a Europe still tightly bound by absolutism. We discover an unbowed, charming, formidable man whose pen makes ministers, kings and fanatics tremble. Between glittering salons, damp prisons and passionate loves, Voltaire crosses the Age of Enlightenment like a meteor. Each episode reveals a confrontation, a flight, a victory wrested through the sheer force of intellect. Carried by elegant direction and a sweeping, novelistic energy, the series paints a vibrant portrait of a fighter for freedom. A journey into the life of a man who never stopped thinking, loving and provoking.

Molière pour rire et pour pleurer recounts the life of Jean‑Baptiste Poquelin, from his childhood in an artisan family to his rise as Molière, a central figure of French theatre. The series shows his difficult decision to abandon the family trade and join Madeleine Béjart to found L’Illustre Théâtre, marked by debts and repeated setbacks. While touring the provinces, he shapes his style and discovers the power of comedy. Back in Paris, he makes a name for himself with Les Précieuses ridicules, but his sharp satires provoke fierce opposition, especially during the Tartuffe scandal. Supported by Louis XIV, he continues despite attacks, literary rivalries, and tensions within his troupe, particularly with Armande Béjart. The miniseries also follows his growing exhaustion, his determination to perform at any cost, and his final breath after Le Malade imaginaire, the ultimate symbol of an artist who lived — and died — for the stage.

Lagardère is a French miniseries consisting of six 50-minute episodes, created by Marcel Jullian based on Paul Féval's novel Le Bossu (the eighth film adaptation outside of theater, out of 10 known adaptations), and some of the sequels imagined by Paul Féval Jr.1, directed by Jean-Pierre Decourt, and broadcast from September 20 to October 25, 1967, on the first channel of ORTF.